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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
Email: icasocot(at)gmail.com
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Bibliography

The Gentlest City Imagined: An Anthology of Literary Works About Dumaguete [A UNESCO Creative City of Literature] and Negros Oriental
Vibal Foundation, 2026

The Last Days of Magic: Stories
Anvil Publishing, 2026

The Great Little Hunter
Pinspired Philippines, 2022

The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018

Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018

Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018

Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017

Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017

First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014

Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013

Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013

Inday Goes About Her Day
Locsin Books, 2012

Beautiful Accidents: Stories
University of the Philippines Press, 2011

Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011

Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006

FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Monday, March 12, 2007
11:29 AM |
Cut from 'Making Love'
This is a clip from Arthur Hiller's
Making Love (1982), the groundbreaking gay movie that preceded
Brokeback Mountain by 25 years. A controversial movie when it was first released, it died a quick death at the box office, but is now regarded as a queer classic, the first Hollywood studio movie to tackle a gay theme -- and
shockingly, a tender love scene between two men. How groundbreaking is that? In the early 1980s, somewhere in the heart of the Reagan years, gay characters in Hollywood movies were either cardboard cut-out best friends, or people who had to "off themselves at the end of the picture." (Usually the latter. The quote is from Mart Crowley's equally pathbreaking play and movie
The Boys in the Band.) Says Barry Sandler, its screenwriter: "Liz Smith summed it up ... in the
New York Daily News, as fine a movie as
Brokeback Mountain is,
Making Love is a more positive and encouraging movie. But it didn't make any money, and she suggested that maybe that was the reason why." (The full interview can be found
here in AfterElton.)
In this scene, Zack (Michael Ontkean), a young and married doctor, succumbs to the charms of novelist Bart (Harry Hamlin), who becomes his catalyst of discovery and coming out. Bart, however, seems content to keep Zack -- or any man for that matter -- at arm's length.
Zack knocks persistently. Bart stands up from writing to open the door.Zack: (Entering in a rush.) I have a question to ask. I’m only asking you once. Are you ready?
Bart: Shoot.
Zack: Do you walk in your sleep?
Bart: (Confused.) What?
Zack: (Angry.) Walk in your sleep! Do you sleepwalk? Does anybody know—does anybody get a chance to find out?
Bart: Hey,
wait a—wait a minute. What do you want from me anyway? Do you know that there are forty million guys out there, and they’re all just waiting for you?
Zack: Oh, that’s it, huh? One night per person—and those are the
rules.
Bart: That’s right.
Those are the rules.Zack: (Sarcastic.) Well, those are the words of a well-traveled visionary. You don’t get points by playing by the rules.
Bart: Oh boy, talk about visionaries... You want to see something badly, you will see it, whether it’s there or not.
(Pause.) You were probably shattered to find out that the tooth fairy was really your mother.
Zack: (Takes his time.) Yes, as a matter of fact, I was.
Bart: (After a beat.) ... So was I.
Labels: film, queer
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