

I find it fascinating that Jose Rizal’s novels continue to be the template for many contemporary stories, including the latest run of GMA’s Maria Clara at Ibarra. Malonzo’s take is not exactly the novels, but he takes many of the characters to populate his tale of aswangs in Hispanic Philippines.

There’s one particular excerpt in Isyu 3 that struck me the most, because it sums up very well the Filipino in the post-EDSA period. The old revolutionary Matanglawin is attempting to rescue Isagani from a mob about to lynch him for the cannibalistic murders of Padre Damaso and Padre Salvi, among others [who are actually the victims of Elias, the main aswang of the series]. Matanglawin attempts to placate them by telling them that if it were true Isagani is guilty of these deaths, then he should be considered a hero for saving them from the systemic abuse these people were actually guilty of. The town people’s response is telling. This is the stuff of the Marcos Restoration.

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