This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Martial law was a great divide; even today, it separates all that came before, from all that has come since. Our history before 1972, when you think of it, represents the profound influence ideas and intellectuals can impact on a nation. The history of the Philippines since martial law has been marked by the steady bankruptcy of ideas and those who propagate them in our society.
The ideas -- and ideals -- of the propaganda movement; the motives and motivations of the revolution; the adaptation of the heritage of both in our attempt to reclaim our independence; the great thoughts that tried to give meaning and relevance to independence once reestablished in 1946: our country's story has been the story of thoughts, of ideas that moved the sectors that constitute our nation.
But after 1972, ideas and the intellectuals and ideologues who make them have increasingly been sidelined in the story of our national life: not least because so many intellectuals sold out or were deluded into supporting the dictatorship. The dictatorship, too, in wrecking the economy and turning us into a nation of overseas workers, virtually liquidated our middle class as a moving force of national development, and guaranteed that fewer and fewer Filipinos would have the capacity to be inspired, much less motivated, by ideas. Even people power, as we have seen in the 21 years since Ninoy Aquino's assassination, has never been fully formed, made truly workable, as a motivational idea. We have tried to make people power part of our lives, but its principles are so vague, its applications so unclear that we have gotten to be unsure if it was ever a real thought at all. People power was-is-perhaps, more of an emotion than a genuine idea.