This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Remember Lot? It's his wife we've been told to keep in mind, that pillar of salt Christ made the indelible image of failing to renounce past corruption altogether. Lot we prefer to forget. As told in Genesis 19, Lot fled the annihilation of Sodom, lost his mate because she couldn't resist a backward glance and ended up in a cave with his two daughters, who conspired to get him drunk and then seduced him.
"The Lot story is shocking," Polhemus says, "does describe offensive behavior, does probe shameful erotic secrets," which might not be so troubling were it not included in the Judeo-Christian canon. But it is; what's more, biblical genealogy traces Lot's seed through David all the way to Jesus. Ultimately, the hope of mankind, of "a new heaven and a new earth," arrives through an act of incest. The intercourse described is not iconoclastic so much as it is desperate, the price of having a future. Lot's daughters believed themselves and their father the sole survivors of universal destruction; humankind, they thought, depended on their breaking taboo by having sex with their father.
The story becomes a complex -- the Lot complex -- because its "primal interest imposes itself upon history, religion, art and individual psychology, and people in turn impose their history, experience, personal mind-sets and imaginative skills on the biblical text." Polhemus doesn't invent the Lot complex any more than Freud invented the Oedipus complex. What he does -- thoroughly and brilliantly -- is identify what has existed for millenniums of recorded history, introducing diverse examples of the archetypal transaction between a young, sometimes very young, woman and the man who, if he isn't actually her father, is old enough to substitute.