This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Dumaguete-based Ian Rosales Casocot, whose "Old Movies" clinched second prize in the Short Story in English last year, certainly knows how [Yvette Tan, who won two awards] feels. "I think the first one is always the best one," he replies when questioned how he would compare last year's win from his latest. "I was jumping up and down when I heard that I won," he relates how he reacted last year. "This time, it was actually nice to win again, but I always loved winning the first time."
It turned out that his winning entry, "The Hero of the Snore Tango," which won in the same category and position as "Old Movies," started out as an essay. "I write a column for a local newspaper, and my editor told me if I could write an essay about All Souls Day. So I wrote about my father, who died a few years ago," he narrates. "I looked at the essay. I liked it very much I decided to turn it into a short story. I expanded it and I sent it out to some of my friends for comments. And they said that it was powerful enough for a Palanca entry."
"I felt less pressure," Casocot admits when asked if he felt any pressure brought about by his consecutive wins. "But the thing is, if you've won one, you want to win again and again. So I don't know if you would call it pressure...but I think you can call it addiction..."
Labels: palanca, philippine literature