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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Tuesday, December 07, 2010
1:40 PM |
Sweet Confection
It was quite a relief to stumble onto Kyu-Dong Min's
Antique Bakery [2008], because I was already despairing whether I could find a Korean film that would do some justice to queer characterization in film. This one does not do it -- surprise, surprise -- but what it has saves it from being a total bore. And what does it have? It has an interesting story to tell, and tells it with the come-on of so much great food, all of which are photographed spectacularly you can almost taste them. It also has plenty of charm, so much so that it draws us in into the strange dynamics of four men in an unlikely friendship, all of them connected by the pastry shop they all work for. Based on the popular Japanese manga, it tells us the story of a troubled but easy-going scion of a wealthy family who opens the bakery in question and hires Korea's best pastry chef to work for him. The pastry chef also happens to be a one-time high school classmate who used to have a crush on him, and whose heart he has broken. Into the mix comes an ex-boxer with a sweet tooth and a bumbling bodyguard. Their easy-going camaraderie, their unfolding secrets, and the comic ways with which they deal with each other provide the film's narrative backbone, which is strong enough to withstand the story's strange detour into serial killer procedural territory. Still, even when it does that, the director seems very sure of his material that he is able to juggle so many subplots without faltering, without losing our interest. Perhaps the performances here are what ultimately makes it worthy of viewing: the actors do make their characters believable and emphatic. And who's to decline the invitation of seeing a film with beautiful boys combined with delicious cakes?
Labels: film, queer
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