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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Sunday, March 13, 2011
9:43 PM |
Existential Lizard Stumbles on a Western
It is perhaps wrong to think of Gore Verbinski's
Rango [2011] as a mere cartoon, although it is indeed animated -- and gloriously so. It is a certified Western with a serious bent on the existential (the question "Who am I?" keeps echoing all throughout the story), and the only cartoonish thing to it is its use of talking animals and the deadpan comebacks and witticisms that litter the screenplay by John Logan. Beyond that, this is John Ford meets Clint Eastwood. Which is an astounding thing to claim since this is about a pet lizard (voiced by Johnny Depp) with thespic aspirations, left to fend for his own after being left accidentally in the desert. He finds his way to a troubled town called Dirt, calls himself Rango (from
Durango), weaves a legendary story to his name to win the trust of the suspicious (and dangerous-looking) townfolk composed of down-and-out amphibians and moles and turtles and birds and what-not -- and somehow becomes the town's sheriff after accidentally killing the hawk that has plagued the town, which is also plagued by the problem of a drought. Other shenanigans ensue, and hilarity, too -- but the film draws you in with its faithfulness to the genre, with its playing straight man to its subtle comedy, with its quirky characters drawn on a landscape that rivals the breathtaking cinematography of John Ford's films. And of course with its tale of a conflicted (and accidental) hero -- an actor, really -- who has to confront time and again the specter of existential angst. That it is Depp doing the wrangling provides an anchor we can easily sink our teeth into. Of course, it also helps that the film knows its genre so well, it weaves in without straining many iconic images and tropes from the tradition of the Western, from
High Noon to
Star Wars, from
Red River to
Unforgiven, from
The Quick and the Dead to
Chinatown, from
The Three Amigos to
Shane. This is the first animated film I've seen this year, and with this the rest of this year's slate -- animated or not -- has a high bar to contend with.
Labels: film
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