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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Thursday, July 03, 2014
12:00 AM |
We Need to Try
Failures are heartbreaking, but they can be beautiful. There is a point in Frank Pavich's
Jodorowsky's Dune (2013) -- his marvelous documentary on Alejandro Jodorowsky's aborted effort to film the iconic sci-fi novel by Frank Herbert in the mid-1970s -- where the irrepressible Mexican filmmaker suddenly shows great and angry emotion about the circumstances that finally led to the shutting down of production. Jodorowsky had already done an elaborate pre-production on the project, having gathered together the best talents he could find to flesh out his vision (he called them "spiritual warriors"), and the producer needed $5 million more from Hollywood executives just to see the film's completion. But Hollywood, while impressed, finally said no. And the greatest film that never was grounded to a halt. Apparently, the suits found all the preparation perfect, but Hollywood found the director's vision frightening. Filmmaker Nicolas Winding Refn recounts: "I believe that the reason they didn't do this film is because they were afraid of him. They were afraid of his imagination, they were afraid of his mind, and they were afraid of what it was going to do to them. And that's the real reason they didn't do this film: they were scared." It is by this point in the film that Jodorowsky finally explodes, and you see a man protective of his vision remembering old disappointments: "Movies have heart! They have mind! They have power! They have ambition! I wanted to do something like that! ... And why not?" And then he suddenly goes into contemplative quiet, a sadness over the memory etched into his face, his voice. But the film, even when unmade, went on to influence many of the films of the genre that came soon after, from
Star Wars to
Raiders of the Lost Ark, from
Blade Runner to
The Matrix, from
Terminator to
Flash Gordon to
Alien. And what the documentary finally tells us is that not all failures are bad:
unfulfilled creativity can live on, and have its imprint somewhere else. "For me to fail is only to change the way... If you fail, is not important," Jodorowsky finally says. "We need to try."
I shall always remember this.
Labels: art and culture, books, film, life
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