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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
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The Great Little Hunter
Pinspired Philippines, 2022
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The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
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Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
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Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
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Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
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Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
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First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
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Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
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Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
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Inday Goes About Her Day
Locsin Books, 2012
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Beautiful Accidents: Stories
University of the Philippines Press, 2011
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Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
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Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
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FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Sunday, September 14, 2014
12:18 AM |
A François Ozon Completist Checklist
The first François Ozon film I saw was
A Summer Dress. This was in Tokyo in 1997 when I attended the first gay and lesbian film festival I'd ever been in, and was so overwhelmed by the cinematic choices it felt very much like being a kid in a candy shop. It was an empowering experience to know that most of the patrons who were with me in that Tokyo theatre were exactly like me who were hungry for representations of themselves on the silver screen. I got plenty of that in that festival -- and that experience has since urged me on to a study of queer cinema. But this short film by Ozon was one of those that struck me the most because it seemed so light, so sexy, so subversive, so dangerous ... so French.
Since then I've seen some of his later films -- the mysterious duo of
Swimming Pool and
Under the Sand, with Charlotte Rampling in two indelible star turns, were an exercise of mood and skilful handling of the thriller genre -- and I've come to know the edgy sexuality Ozon seems to inject his films with. And always with a homoerotic subtext. What's not to like?
I want to see all of his films.
☐ The New Girlfriend (2014)
☐ Young and Beautiful (2013)
☐ In the House (2012)
☐ Potiche (2010)
☐ Hideaway (2009)
☐ Ricky (2009)
☐ Angel (2007)
☐ Time to Leave (2005)
☐ 5x2 (2004)
☑ Swimming Pool (2003)
☑ 8 Women (2002)
☑ Under the Sand (2000)
☐ Water Drops on Burning Rocks (2000)
☑ Criminal Lovers (1999)
☑ Sitcom (1998)
☐ See the Sea (1997)
Labels: film
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