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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography

The Great Little Hunter
Pinspired Philippines, 2022

The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018

Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018

Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018

Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017

Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017

First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014

Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013

Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013

Inday Goes About Her Day
Locsin Books, 2012

Beautiful Accidents: Stories
University of the Philippines Press, 2011

Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011

Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006

FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Sunday, December 07, 2014
5:50 AM |
Goodbye, SIM
Sunday Inquirer Magazine is ending its long, illustrious run -- and I'm sad because this rag was a huge part in my growing up years. I remember its comics section by Jess Abrera fondly, and the amazing longform stories by Lorna Kalaw Tirol, Ceres Doyo, and Constantino Tejero, whose series on censorship in Philippine movies was the lynchpin source for my research paper on the subject in high school, and later on in college. Then there was the long-running annual series on Palanca winners by Ruel De Vera, perhaps the only magazine at that time to take Filipino writers seriously. (Yep, it was that kind of magazine.) This was the publication we aspired to write for when I was a Mass Communication student in Silliman University, and the first time my byline saw print in its pages was in 1999, right after I graduated, and thanks largely to one of its editors Alya. Honasan, who I met backstage at the Luce Auditorium where she was performing in Floy Quintos'
And St. Louis Loves Dem Filipinos where we quickly established rapport over some astonishment. I would consider that my first break in national publication -- which just goes to show opportunity happens when you allow it to happen. Here's Ruey with his message regarding SIM's last issue: "Thank you for believing that there is still a place in the Philippine publishing landscape for the lovely longform story. It has been a privilege to tell these stories for you. There will never be anything like the Sunday Inquirer Magazine—and that’s really the way it should be. Accept no substitutes."
Labels: journalism, life, long form journalism, magazines, memories, philippine daily inquirer, philippine literature, writers, writing
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