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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Wednesday, March 18, 2015
In his later years, Albert Einstein concluded that how we conceive of time is an illusion, a construct we have created to box in the simple matter that everything -- the past, the present, and the future -- exists simultaneously, is happening all at once.
All at once. Perhaps this isn't so hard to believe. Last night, for example, I went to Kurambo's for dinner and while waiting for my order to come, I allowed myself to absorb the sight of this newish grill in Tubod, a neighbourhood I used to live in as a kid. I could feel myself occupy two spaces at once: that moment last night while waiting for my meal, and also an entire childhood spent passing by this very spot to go home to the house my family rented somewhere in the interiors of Tubod -- or Springville, as the people who lived here would rather call it. That very spot was once a big old house, now gone, which tottered beside an abundant spring -- the "tubod" of the place's nomenclature. Here, everyday, I'd catch the neighbourhood's women do their laundry by hand. (Many of them worked as laundresses for students living in the dorms in nearby Silliman. No washing machines then, nor laundromats.) Last night, while waiting for my food to come, I closed my eyes and I could still hear those women's loud chattering over the icy spring waters, the sound of their paddles batting thick wet cloth which punctuated their gossip. The spring is now gone. There's only this restaurant built on top of it, the waters below sealed off by concrete. We have become so good at paving over everything. I felt delirious afterwards, having to occupy both past and present at the same time. I saw the boy I was then -- this was easy; but did he perhaps also see me in the shimmer of the spring water soon to be erased, an older form of him forlorn in the future, looking back across the aching gaps of memory, thinking about what we have exactly gained from the loss of so many things, like a spring?
Labels: life, memories
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