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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Monday, May 25, 2015
1:47 AM |
The Name's Cooper, Susan Cooper.
While it is true that American comedy of recent years has lost its cinematic funny bone (as this
video essay by Tony Zhou clearly demonstrates, which pays special attention to the cinema of Paul Feig), it is also undeniably true that sometimes funny is
just funny. There is, after all, much to love in the hilarious inanity of Feig's James Bond spoof,
Spy (2015), starring the irrepressible Melissa McCarthy. Ms. McCarthy, after breaking out (and getting Oscar-nominated) in Feig's
Bridesmaids (2011), has clearly come far and made for herself a unique attraction in film comedy: she has created a persona we have all come to appreciate and love, something only the best physical comedians -- Charlie Chaplin, Buster Keaton, Bill Murray, Jim Carrey, among others -- have managed to concoct and sell to an appreciative audience. In Ms. McCarthy's case, it is the generously endowed woman with pretensions of meekness who suddenly discovers a predilection for being bad-ass and foul-mouthed. She makes it work.
She has brought that persona to the shells of various characters in her movies -- including a tomboyish bridesmaid, an angry police officer, and a happy-go-lucky identity thief -- and sometimes they work, and sometimes they fall to the abyss of the uninspired. This time around, as a CIA desk jockey who finds herself becoming an active agent, the persona is fully engaged, making the pratfalls and banter that follow something in the new movie to love. The film works as a project of great comic timing, and while you are aware that everything you see is just comedic fantasy, you find yourself becoming fully invested in the shenanigans that unfold. Perhaps that is because everyone seems heavily invested in making this film work -- Jude Law and Jason Statham, for example, seem to be in serious modes deconstructing with glee their respective screen personas as suave playboy and dynamite action figure. This in turn makes the film a whole bunch of fun I did not really expect. Hell, it's a movie where you come to
love Rose Byrne's villain as well while you buy thoroughly her cold-bloodedness. If that doesn't say anything about this film's appeal, I don't know what will.
Labels: comedians, film
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