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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
Email: icasocot(at)gmail.com
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Bibliography

The Last Days of Magic: Stories
Anvil Publishing, 2026

The Great Little Hunter
Pinspired Philippines, 2022

The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018

Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018

Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018

Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017

Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017

First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014

Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013

Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013

Inday Goes About Her Day
Locsin Books, 2012

Beautiful Accidents: Stories
University of the Philippines Press, 2011

Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011

Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006

FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Wednesday, June 10, 2015
5:51 PM |
Songs in the Measure of Tagay
The
inuman -- the informal social gathering of men (mostly men, anyway) outside of the house, in the open air, and usually near a very convenient
sari-sari store, which is dedicated to occasional camaraderie, spirited conversation, and the imbibing of alcohol (traditionally the
tubâ or palm wine) -- is a curious cultural thing. I passed by one last night on the way to dinner, and found myself shaking my head in disapproval, perhaps because it is such a macho tradition among Filipinos, and I admit to having an instinctive disapproval of anything that reeked of machismo.
But then again I can't really be sure about my attitude towards it because the
inuman itself is a very rich cultural institution, one that has poetic roots. One of its components, the
tagay or the measured drinking offered to each member of the inuman, has been argued by Merlie Alunan to be one of the roots of the Cebuano
balak, or poetry. And now, going through the six volumes of Visayan folk songs collected by Priscilla Magdamo in the early 1950s, I've also found that the
tagay was a favorite musical muse. So far, I've found four folk songs dedicated to the
tagay -- and understandably so. (Because drunken singing is generally a by-product of such things.)
One folk song is titled "Uhaw Tagay," collected and transcribed by Ms. Magdamo from a recording made with folk singers Francisco and Severina Macahis, and it goes like this:
Ay Liding, Liding, Liding
Ay Liding, Liding, Liding
Uhaw tagay
Uhaw tagay.
Kon walay sumsuman,
Ihawon ang hinuktan.
Uhaw tagay
Uhaw tagay.
I'm not sure what the
hinuktan (or the something that is tied up) here refers to. (A pig? A chicken?) But whatever it is, it will be delicious. Research is fun!
I'm doing a bit of research right now for a musical revue I'm writing, based on some of these songs, particularly the lullabies. What are in these books is a treasure trove of Visayan folk songs collected by the legendary musicologist and pioneer Priscilla Magdamo, who really should be proclaimed National Artist for Music. (Even Lucresia Kasilag believes so.)
Labels: alcohol, art and culture, ethnomusicology, literature, music, people, philippine culture, philippine literature, visayan folk songs
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