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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Saturday, June 13, 2015
1:38 AM |
The Middle Age Blues of Generation X
How did Ben Stiller become the primary voice of my generation? Because it seems that every time I chance to see a film of his, especially the more cerebral and serious ones, it is as if the film could read through me -- essentially a great, surprising plagiariser of my life, and I suppose the lives of others from my generation.
The reality of that somewhat perplexes me, not that I am not complaining -- but I never saw it coming: Ben Stiller as the quintessential Generation X'er. He is -- or at least the films he makes -- the best embodiment of Douglas Coupland's iteration of a generational idea.
As a film director, he was instrumental in giving that generation the definitive pop expression in
Reality Bites in 1994, although better films could arguably be had in Cameron Crowe's
Singles (1992), Kevin Smith's
Clerks (1992), and Richard Linklater's
Dazed and Confused (1993) and
Before Sunrise (1995). Only Linklater seems to rival Stiller in exploring the further unravelling of this generation as it grows older, as we see in
Before Sunset (2004) and
Before Midnight (2013).
How so? Years after
Reality Bites, Stiller revisits a representative of this generation and discovers its original sense of ennui has been extended -- now middle-aged but still despairing -- in
The Secret Life of Walter Mitty (2013).
And now Stiller stars as a stalled documentary filmmaker confronting the reality of passing youth in Noah Baumbach's very funny, and very sad,
While We're Young (2014). It is a film about Generation X's dashed dreams, and provides the stark contrast we make with the cool smugness and often charming mercilessness of a much younger generation. (The Millenials?) Employing a structure much like Joseph L. Mankiewicz's seminal
All About Eve (1950), where an interloper charms her way into devious success, the film finally becomes very much a depiction of a generational battle. Everyone in it survives with war wounds, except for the young, who have the earnestness of their youth as a kind of armour coated with Teflon.
In the end, Mr. Stiller's character, grown much wiser from the war, can only muse with resigned acceptance the ascendancy of the young antagonist in the movie: "He's not evil, he's just young."
And so the world turns.
Labels: film, generation x, life, millennials
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