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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
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© 2002-2021
IAN ROSALES CASOCOT
Friday, August 28, 2015
9:33 PM |
The Most Prolific Sillimanian Writers of the 1950s
It's amazing to observe through research details the waves of transience for campus writers, how their by-lines suddenly appear one year, gets sustained for a few more years, and then suddenly vanish. In the interim, they flood Dumaguete with so much poetry, fiction, and essays -- as if writing was the most consuming thing they had to do when they were young. Some years are better than others. I'm amazed, for example, at the literary blossoming that heralded the start of the 1950s -- but this waned near the end of the decade, with campus writing focused so much on sociological issues through hard-hitting journalism and editorials, perhaps a natural response for writers writing under the new Republic, still struggling with coming to terms with the new national identity. Spanish literary works were abundant in the beginning of the 1950s, with works by Oscar Montenegro, Tito Montenegro, Jose B. Anfone, Gloria Ledesma, Pelucio P. Lavinia, Rita S. Montenegro, Emmanuela Trio, and Jose Maria Suarez, but were soon eclipsed by an abundance of literary works in Filipino -- or the National Language (as the section in The Silllimanian is called), with works by Teofilo Marasigan, Modesto Segunal, Jeffree Mojares, Nellie H. Malimas, Amorsolo M. Valdez, Lily Padua, Jeb Bundang, J. Edejer Avadista, and Erlinda Jaub Avila. Who knew Silliman University has a rich tradition of works in Filipino? (Nothing in Cebuano, however.) By the start of the 1960s, however, both Spanish and Filipino literary works have largely disappeared, save for a singular effort by Nancy I. Teves in 1965 to resurrect them, with works by such writers as Franklin R. Cabaluna and Diana Aida A. Banogon. In the three decades I have covered so far in this phase of my research (from the late 1940s to the early 1960s), the most prolific writers have to be
Claro Ceniza, Cesar Amigo, Aida Rivera (Ford), Edilberto Tiempo (who was busy churning out novels and winning Guggenheim awards),
Edith Tiempo (who was busy receiving national literary awards),
Reuben Canoy, Ricaredo Demetillo, David Quemada, and
James Matheson (who kept a long-running column called "Diary") -- but the champion of them all is
Nicator F. Tabligan Jr., whose contributions to the literary culture in Dumaguete spanned more than a decade. And nobody even remembers him anymore.
Labels: dumaguete, history, negros, philippine literature, silliman, writers
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