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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Sunday, February 05, 2017
11:59 PM |
Late Night Conversation
Had my share of stimulating, intellectual conversation with a good friend tonight. I hadn't seen him in years. Totally unexpected. I was writing an article in a cafe [
where else?], and he barged into my bubble with his coffee and his Brooklyn vibe. This is rare; it's quite difficult to get conversations like this in Dumaguete, to be honest. And so we commiserated about Tiny Fingers. We talked about the innate frailties of the Left, and we tried to figure out how the new world order would mean on ordinary lives. We talked about the limits of postmodern art and the end of irony, and we discussed avant garde theatre. He talked about how he hated musicals [
Hamilton, Les Miserables, etc.] except
The Lion King, and how he hated Wes Anderson and Lars von Trier but loved Darren Aronofsky and Christo and the undercurrent of "optimism" of
Black Mirror. I talked about the "optimism" in Von Trier's
Melancholia and how I loved the music of Miss Saigon but hated its story, and I talked about the hype over Marina Abramović and the necessary lightness of the films of Nora Ephron and why I have only a grudging admiration for Stephen Sondheim musicals. He talked about mountain climbing in Nepal where he pared his 30-kilo backpack bit by bit down to its barest essentials as he ascended. I talked about why melodrama is in the DNA of Filipino culture, and why I couldn't be persuaded by anyone to try scuba diving. That kind of conversation. And then midnight happened.
Labels: life
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