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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.

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Thursday, April 20, 2023

entry arrow4:17 PM | Catching Oversized Moments



The extraordinary thing sometimes about art we’ve come to love is to see them with completely fresh eyes. I have always loved Hersley-Ven Casero’s “Catch a Moment” photo series, ever since he started prowling the streets and byways of Dumaguete more than a decade ago to, well, “catch moments” with his camera. I’ve written about his process before, how he'd put himself into specific spots, observing everything in the urban landscape before him, and always waiting for a literal voice floating near his head who prompts him with a simple command: “Now.” And then he’d click. The reality of getting it all in breathtaking composition, honed after years of study and technical know-how, only adds to that magic of obeying an unexplained inner prompt. [My insistence on the use of the word “magic” is deliberate, especially if you know where Hersley comes from.]

In any case, I and many others have enjoyed these gorgeous photos from his walks around town over the years, many of us claiming certain favorites. His sepia photo of a Dumaguete street complete with a tricycle, with the morning glimmer of the Rizal Boulevard in the distance, is mine. This shot of children playing with wheels and running through a smoke-drenched road is another. [Come to think of it, I do have a thing for sepia!]

And now to see the latter in a way I’ve never seen it before: in glorious, gigantic reproduction, 41.33 x 61.41 inches in size, and printed with pigmented ink on smooth cotton rag! The result is an immersive experience with the photos, as if privileged with stepping into the reality they offer. I have always wanted to have a photo exhibit like this in Dumaguete, but have always felt it would remain a dream: no Dumaguete printer is capable of printing photos in this size, and if there are any, the cost would probably be prohibitive. Now that it has come true with this exhibit, Onion Kids: Homecoming, in MUGNA Gallery, it feels like a dream fulfilled.

And what a dream! Because I’m seeing this photo with details I have missed before: the density of the smoke, the griminess of the dirt, the prints on the children’s shirts, the fullness of the shadows, the texture of the foliage. And the joy that bounces off the kinetic energy of the children becomes more magnified. Hersley’s photos have always had that ingredient of joy. You can never find a note of dourness in them. In his photos, people fly into the sea, swim beds of onions, chase balloons, chase each other. [Heck, one of his iconic photos, which has traveled the world over and has become a meme, is that of a laughing kid!] I think people respond to that joy instinctively, which has made Hersley perhaps the most appreciated Dumaguete visual artist of his generation today.

The exhibit runs until 7 May 2023.

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