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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
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The Great Little Hunter
Pinspired Philippines, 2022
![](https://i.imgur.com/TmdtdEk.jpg)
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
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Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
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Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
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Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
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Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
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First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
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Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
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Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
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Inday Goes About Her Day
Locsin Books, 2012
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Beautiful Accidents: Stories
University of the Philippines Press, 2011
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Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
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Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
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FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Sunday, December 05, 2010
7:21 PM |
A Love Story in Search of Structure
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Kim Jo Kwang Su’s
Chingu Sai? [
Just Friends?, 2009] is a very slight short film that never really finds its proper tone. This despite the absolutely winsome performances of the two leads Yeon Woo-Jin (as Min-soo, a soldier in the Korean military) and Lee Je-Hun (as Seok-yi, Min-soo’s civilian boyfriend). Is it a comedy? Or a drama? Or a musical? What does it really want to say? I think it is disaster brought about by a flawed screenplay more than anything else. Writer Min Yong-Keun does not exactly give the story — about two young gay lovers who are discovered in an intimate clinch by the mother of one of them — an appropriate dramatic structure, and instead subjects us to gay cliches and mind-boggling digressions such as the musical numbers in the beginning, middle, and end of the film. The middle part of the film in particular resorts to a badly-written song when an earnest dialogue would have sufficed. I suspect the filmmakers had trouble in articulating in cinematic terms the specific gay condition that needed illuminating at that moment. This is sad, because it is such a disservice to what would have been a good story. Consider also the tearful confrontation between a soldier’s girlfriend and Seok-yi near the end of the film. She tells him a devastating story: she has found out her lover, also in the military, is gay. Then consider Seok-yi’s reply to that — a puzzling admission that I won’t divulge here that has no place at all in the story. Alas, there are also many other pieces in the film that don’t fit, which eventually exasperates. Is there a Korean movie out there that tackles a gay subject matter with an ounce of sensitivity and subtlety? Because so far, the search has been very disappointing.
Labels: film, queer
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