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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography

The Great Little Hunter
Pinspired Philippines, 2022

The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018

Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018

Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018

Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017

Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017

First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014

Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013

Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013

Inday Goes About Her Day
Locsin Books, 2012

Beautiful Accidents: Stories
University of the Philippines Press, 2011

Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011

Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006

FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Monday, September 06, 2004
10:41 PM |
Shut Up Already About Bad Chick Lit

When my friend the writer Sheryll Tesch was depressed after a terrible break-up, I bought her Summit Books's
The Breakup Diaries by Maya O. Calico. That cheered her up.
What I'm really trying to say is:
I like Summit Books. They're not for everybody (one acquaintance called the covers "a neon candy attack"), but I like them. They're good reading. Light, yes, but never stupid. The list of writers are impressive, too -- a virtual who's who of today's top fictionists: Tara Sering, Mabi David, Abi Aquino, and Andrea Pasion.
Besides, debates on what's literary or not are always arbitrary. Fun and passionate, of course, and good for dinner conversation ... but should always be taken with a grain of salt.
So, what's the current brouhaha all about? Here's a map of the current literary "controversary" in Philippine literary circles:
First, the Manila Critics Circle
gives the Best YA Literature
National Book Award to Tara Sering's
Almost Married.
Children's literature writer Carla Pacis
questions the move, and sends out emails to various literary friends about it. Chick Lit is not literature, she says, and
Almost Married is certainly not a YA novel.
Later, Krip Yuson -- who's part of the Manila Critics Circle -- highlights the concern in his column for the
Philippine Star. Mae Astrid Tobias declares
his "point well taken" is not an answer, and considers
Isagani C. Cruz's (another member of the Circle) comments about the award.
An incensed Lilledeshan Bose puts her two cents in, and
proclaims Tara the savior of Philippine Literature. And later,
this.
Soon the other blogs take over. Here's
Paolo Manalo. Here's
Juan Miguel Alegre. Here's somebody named
Ursula Lear.
Who knows where this thread will lead to?
And then, for another Manila Critics Circle-connected brouhaha, here's a certain Diwata Nakpil
on the choice of Angelo Suarez's
The Nymph of MTV as National Book Awardee for Poetry.
Me? I'm just glad people -- ordinary people, and not just the literati -- are talking. Maybe Philippine literature is not dead at all.
[0] This is Where You Bite the Sandwich
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