This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
Don't Tell Anyone:
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
All this talk of the Imelda reminded me that I still have my friend's copy of the Imelda's latest literary opus, a metaphysical discourse called Circles of Life. While leafing through this handsome volume -- the pages are guilt, I mean gilt-edged -- I came upon a revelation most wondrous. Here it is, in the Imelda's own words:
"But the most significant and most exacting for me was the honor of having brought the image of Our Lady of Fatima to be consecrated with the Liturgical Service in Moscow at the height of the Cold War. That was 1985, October, the month of the Holy Rosary, and as I left the Church together with a large retinue of Catholic bishops from the Philippines, a spray of snowfall descended on our (delegation), when (an) old woman sidled close and whispered: 'Madam, for the blessings you have brought to Russia by opening our church to honor the Virgin Mother, much will be exacted from your life!'
"Those anonymous words were prophetic. In a few months, we were forced into exile, and shortly thereafter, the Union of Soviet Socialist Republics began to dissolve and the freedom of religion was restored along with other fundamental liberties... It symbolized the sacrifices expected of my own life, the life of my husband, the lives of my children, my country and my people." (p. 91)
Now it becomes clear: By bringing the image of Our Lady of Fatima to Moscow, Imelda Marcos brought about the disintegration of the Soviet Union and the end of the Cold War. For this she became a martyr of the church. More importantly, the Imelda heeded the Fatima Letter urging the return of the true religion to the Soviet Union, thereby averting the Apocalypse. Truly we heathen scum are not fit to kiss her fabulous shoes.
Researching the Imelda music piece I'm working on I notice that her union with Ferdinand was as much political and economic as emotional. She, from a good family, but the poor side of it, was generally "attracted" to men who were in positions of power and who had financial stability. There were no stories of her dating the local shopkeeper or schoolteacher. No fool, she. (She was beautiful, so she had a leg up, too.) He, meanwhile, was no less pragmatic -- though she was poor, he knew that her relatives represented the South, where he was politically weak (he was already a successful Senator.) And she would look picture perfect in his future political life.
Though he might have been less smitten and more conniving than she, she was by all reports emotionally invested in their relationship, at least for a few years. So there was both love, of a sort, and pragmatism simultaneously. Sincerity and practicality too. For a while, anyway.