This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Republic of Carnage
Three Horror Stories
For the Way We Live Now
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Blogs I Read
IAN ROSALES CASOCOT
Friday, November 25, 2005
5:03 PM |
Lamangan Update No. 1
Rereviewed Joel Lamangan's Deathrow
, and yes, there were signs of impending nose-bleed, but I managed to hold my nose up in time. But I watched this ...
... for the first time. I purposely missed its original run, because I was already suffering from a Mano Po 3
and Aishite Imasu
nausea attack. What can I say about this movie?
Flat comedy that goes nowhere fast. Even its "much-heralded" (by whom? by Regal's PR department?)
animation sequences are laughable. There are also countless mistakes in the movie that go beyond directorial ineptness.
Eric Quizon and Kris Aquino are winsome, at the very least, but there's absolutely nothing to get from this rubbish. There are some funny moments, but it's basically a cheap remake* (complete with the obligatory death scene of the best friend) of the all-time gay film favorite Beaches
, starring Bette Midler and Barbara Hershey -- with the whole dynamics of Will and Grace
thrown in for good measure. Come on now, Mr. Ricky Lee, admit the "homage" in your weary script.
The singer JayR is largely wasted in a thankless role (where he plays Kris's newest beau), and it was also painful to watch a very woody Cogie Domingo try to wriggle out a performance. It was embarrassing. One of the directors I featured in that post
texted me soon after to say that Joel Lamangan and Lily Monteverde actually deserve each other. I asked, "How come Lamangan is so respected in the local film world?" and the answer that came back was: "He is very good at posturing himself as a great director, and convincing other people of that." Oh.Next:
a rereview of Sabel
and Walang Kapalit
. Just pray that I don't get any more nose-bleed.* Lamangan seems to be fond of this. In Mano Po 3, the teary scene in the car where Vilma Santos must eventually make her choice between Jay Manalo and Christopher de Leon, is an unabashed copying of a similar scene in The Bridges of Madison Country, where Meryl Streep must also make her choice between her husband and Clint Eastwood. Needless to say, Eastwood's film has more resonance.
 This is Where You Bite the Sandwich
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