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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Saturday, January 03, 2015
3:49 PM |
Film #1: Dan Villegas' English Only, Please (2014)
I was prepared to be disappointed with Dan Villegas'
English Only, Please (2014), the Metro Manila Film Festival sleeper that is fast becoming a word-of-mouth hit. Its trailer did not exactly pique my interest, but the reviews it was slowly garnering were unusually good and particularly convincing in their praises. It did prove to be imperfect, but the flaws -- matters of nitpicking -- seemed forgivable compared to how satisfying it finally proved to be, and how smart the narrative choices it made. What carries the film are two crucial things: [1] the screenplay by Villegas and Antoinette Jadaone, which borrows Nora Ephron's deft handling of the romantic comedy genre in Rob Reiner's
When Harry Met Sally... (1989) by staying true to its tropes but also gloriously transcending it, and [2] the easy and believable chemistry between its stars Derek Ramsay and Jennylyn Mercado, whose characters could have been easily-digested cardboard cutouts, but here seemed truly rooted in the organic requirements of their roles. It's an acting and writing vehicle more than a directing one, but given that this is Mr. Villegas' first feature film effort, it is quite commendable, and perhaps amounts to signalling the arrival of a fresh new voice in Philippine cinema. Perhaps with this film and Ms. Jadaone's other 2014 efforts --
Relax, It's Only Pag-ibig and
That Thing Called Tadhana -- we're finally getting the commercial rom com filmmaking that deserves our brain cells.
#NotAReview #Cinema2015Project
Labels: film, philippine cinema
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