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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Sunday, January 04, 2015
8:46 PM |
Film #5: Matthew Warchus' Pride (2014)
Near the end of Matthew Warchus'
Pride (2014), a grandmother from a down-and-out mining town in Wales goes to London to join a gay pride march, and upon disembarking from her car at the parade's starting point, she calls out with more than a touch of affection and sweetness: "Where are
my lesbians? Where are
my lesbians?" Whereupon, said lesbians -- dear friends she has made in this story about the unlikely alliance between gay and lesbian activists and striking miners in Thatcherite England -- come upon her, and we get the group hug we knew was coming. Our hearts swell, and knowing that this is based on a true story can only get us having high hopes for the future of humanity again. This, in a nutshell, is the overall design and heart that we get from the film, a feel-good "we-can-do-this-together-as-a-community" narrative that is so well-made and so well-embodied by its huge ensemble of actors that we long surrender to its sentimentality even before we've realised it. And we find that we don't mind actually. This is very much the LGBT sibling of Peter Cattaneo's
The Full Monty (1997), where comedy meets English social commentary, and makes laughing cry-babies out of all of us while learning a thing or two about social struggles in contemporary history. This is something totally earned by the film, however, and we can only wish that such a crowd-pleaser can attract the crowd it has not so far engaged in the box office.
#NotAReview #Cinema2015Project
Labels: film, queer
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