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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Thursday, November 03, 2016
4:31 AM |
Frauds and Lies as Mirrors of History
I'm reading Michael Salman's fascinating chapter for Alfred W. McCoy and Francisco A. Scarano's
Colonial Crucible: Empire in the Making of the Modern American State (University of Wisconsin Press, 2009). It's titled "Confabulating American Colonial Knowledge of the Philippines," where he examines the purveyors of fake documents/testimonies and their relationship to the makers/shapers of empires/nations. He focuses specifically on
Jose E. Marco’s forgeries and
Ahmed Chalabi's lies that led to the U.S. invasion of Iraq, and posits this possibility: leaders [be it in the academe or in politics] often are in "secret" need of purveyors of "lies" to help shape a grand narrative that make possible their ardent beliefs or policies. And right away, I'm thinking:
Mocha Uson. Lies and frauds have tremendous staying power: many Filipinos still believe, for example, in the so-called
Code of Kalantiaw, and we are still feeling the impact of Chalabi's misdirections. It's easy to call out these lies and dismiss the purveyors, like what William H. Scott did in his grand unmasking of Marco as a fraud in the late 1960s. But Salman also writes that the scholar Akbar Abbas once suggested that “[t]he Fake is a symptom that enables us to address, rather than dismiss, some of the discrepancies of a rapidly developing and ineluctable global order.” Mocha Uson, I guess, is a symptom and must not be dismissed. We will need her as key to understand, one of these days, why our country is the way it is right now. Fake news is aggravating -- but I guess it can tell us something ironically truthful about the way we live now, which
Paul Morrow in his blog manages to sum up succinctly: "Walang manloloko kung walang magpapaloko."
Labels: books, history, issues, politics
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