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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.

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Monday, November 06, 2017

entry arrow9:00 PM | Reflections on Film Music

Listening to film soundtracks again. The musical scores, specifically. I haven’t done this in a while, years in fact. Here’s the great violinist Itzhak Perlman playing the theme from John William’s score for Schindler's List. It’s impossible not to be moved by this. And yet, at the back of my head, I cannot help but think: Is it all right to swoon, to be so moved, by music that is, in reality, a dirge for six million dead?

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The music of Rachel Portman is so underrated.

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I am convinced Hans Zimmer’s “Time” from the score of Inception is a musical piece of towering beauty. Seven years hence, it’s hypnotic hold remains, and relentlessly so. It starts quietly, like one settling to sleep, and in the course of unfolding, crescendos in echoes of the same musical beat -- but bigger, more urgent, like a dream that grows and grows. And then, just when you think there is no peak to this, just a continuation of unfettered dreamful longing, it settles back down again and dives into the simplicity of piano keys tinkling, a thread of violin to complete a sound of melancholy. And then it ends in a shattered note. Like one waking up, remembering the wisps of a dream, and stupefied by the bright morning sunlight greeting our waking eyes.

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