This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Instead of parroting the company line, we are the informed, independent voice amid the cacophony... In a fragmented cultural landscape, we're the last generalists, fascinated with all kinds of movies, seeing everything, so you don't have to.
In print, and increasingly online, we help guide readers who might want to see a movie for a reason other than that a barrage of 30-sec. commercials told them to. Critical praise for Little Miss Sunshine and Pan's Labyrinth launched those films into the public conversation. Indeed, the reader feedback I get is less "Shame on you for dumping on that megahit" and more "Thanks for championing that 'little film' I might have missed."
Hollywood's marketers have become tremendously efficient at getting their core audience to see their big movies. They don't need critics for that. But critics have a larger utility: to put films in context, to offer an informed perspective, to educate, outrage, entertain. We're just trying to do what every other writer is doing: making sense of one part of your world.