This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
We've always seen a demand for quality fictional writing with a local slant in the region," says Chris Newson, general manager of Marshall Cavendish. "Chick lit has been one of the most successful global publishing genres over the last 15 years, and it's been very successful commercially in the region, so why not produce a local variety?"
The trick is to make even local varieties hew closely to the standard formula. "You have a heroine who is cosmopolitan and independent-—someone who other women want to be," says Noelle Chua, author of Mrs. MisMarriage, whose heroine's glamorous life loses its luster as soon as her new boyfriend proposes. "But she's not perfect, like the heroines of old Barbara Cartland romance novels. From the beginning, like in Bridget Jones, you see her flaws, and the heroine can laugh at herself."
While love's travails and professional success are universal chick-lit themes, Asian chick lit also reflects some cultural differences. "In Western chick lit, the heroine's support system consists almost entirely of friends, but in Asian societies, family is also very much involved," says Lum Kit Wye, the winner of the Marshall Cavendish writing competition. Her novel, In Ten Easy Steps, about a homebody legal secretary who relies on her family to help her change her life after her boyfriend dumps her, will be published in Singapore this fall. Sex, fairly pervasive though never very graphic in most Anglo-Saxon chick lit, is more understated in Asian chick-lit novels. "The heroines are urbane, modern Asians, but they're probably less forward than their Western counterparts, especially in terms of their relationships with men," says Chua. "I think Asian women by and large are still less aggressive and outspoken than Western ones."