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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Sunday, December 26, 2010
8:08 PM |
Poor, Poor Ramona
I can't believe Edgar Wright's
Scott Pilgrim vs. the World [2010] did not gain traction with mass audiences when it was released in theaters early this year, because here is an inspired, almost-original take on a comics story that manages to sustain much of its awesomeness in the avalanche of gimmicks and cutesy it tries to drown itself in. What happened? I have a theory about its unforgivable flaw, but that's for later. Let me concentrate on its strengths first, notably Michael Cera in the full power of his trademark nerdy pose equipped with his trademark deadpan line-delivery, surrounded by a world that takes its visual cue from the vocabulary and tropes of video games and comic books. In this film, Mr. Cera plays the embattled title character, a bass guitarist in a struggling band who suddenly becomes besotted with a girl named Ramona Flowers, much to the consternation of a new 17-year old (and in high school) girlfriend named Knives Chau, as well as to the dismay of the rest of his very colorful posse. In pursuit of Ramona, Scott Pilgrim inexplicably finds himself having to fight for the blossoming romance by having to duel to the death with her seven "evil exes" -- a motley crew of inspired lunacy that includes Chris Evans, Brandon Routh, and Jason Schwartzman. Pretty impressive. I enjoyed the film very much, but I felt unimpressed by Mary Elizabeth Winstead's Ramona -- which is crucial. As the film's resident Helen of Troy, for whom deadly battles must be fought over, she comes off -- beyond the almost requisite quirkiness demanded by the role -- as totally undeserving of all that attention. She lacked charm and spark and gravity, the way Zooey Deschanel or Emma Stone might have provided if they had this role. Because no matter how much I wanted to cheer on Scott Pilgrim in his entertaining battles, I found myself scarcely caring for his ultimate goal.
Labels: comics, film
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