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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Sunday, December 26, 2010
7:42 PM |
Desire, Memory, and the Blank Slate
What a pleasant surprise this is. Here is a queer film that defies its niche, dodges the predictable, and becomes a lingering testament about the search for connection in this confusing maze of a world. When I first began viewing Joseph Graham's
Strapped [2010], I was ready to dismiss it as one of those mindless gay films that serves more as a flesh buffet without paying much attention to story, to character, to insight about the human condition. We've all seen pictures seemingly like this, and they've all been fruitless exercises in gay excess for the most part.
Strapped centers, after all, on an unnamed male hustler (played to perfection by the incandescent and boyish Ben Bonenfant) who follows a trick to his apartment complex, and then after the tryst, spends the rest of the night trying to get out of the maze of a building. Unfortunately, the building does not seem to want him to get out -- its ghostly corridors and confusing dead-ends conspire to keep him trapped. In his wanderings, he meets assorted characters, all gay, who sort out their emotional baggage and personal histories or demons as they transact the fact of their lives with their hustling money. The premise sounds like it was made for a porn movie, but this is the surprising magic of Mr. Graham's directorial debut: it favors an intimacy with each character's story over the sexual entanglement. It becomes a tender, knowing, intelligent film that is also edgy and sexual. And so we see individual tales, courtesy of specific tricks, involving memory, fantasy, neediness, homophobia, the evolution of the gay right's movement, and the want for personal connection -- complete with borrowings from Michel Foucault and William Shakespeare. Mr. Bonenfant's triumph as the lead and the connecting thread of the disparate stories is even more amazing considering that he is able to embody, without a single false note, the projections of all the tricks he meets: he is not exactly a cipher -- this is as much his hustler's story as much as the film is about the stories of his tricks -- but he becomes the throbbing and responsive blank slate for the other characters to connect with. When we get to the denouement, it feels right; everything, no matter how disparate the stories were, leads to it. This is a thinking film. That it is also sexy as hell is just an added bonus.
Labels: film, queer
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