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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Wednesday, June 01, 2011
1:41 PM |
Life in Another Fishbowl
I love Curtis Sittenfeld's
Prep. I love how this book is so engaging and delicious, like a perfectly heaped cone of vanilla and chocolate ice cream on a hot summer day. I love its sardonic but wise tone -- that of a woman in her late 20s recalling the angst-ridden minutiae of matriculating in a preppy boarding school in the East Coast, far from the rough and LMC upbringing of South Bend, Indiana. The novel, which is in many ways epic, has the feel and intimacy of a short story -- and Sittenfeld wisely cultivates that feeling by sectioning off her narrative of four years in the life of one Lee Fiora into set pieces, each one an immersive demonstration of a mood and a reflection on high school politics and romances, always with a deep and special knowing of people, places, rituals, and emotions. What keep it grounded are the all-too-human flaws of our heroine -- she is smart and observant, at first painfully shy, often bitter, often unwise, always insecure, constantly flailing to find her place in a universe of seemingly perfect people and circumstances. The book knows human nature so much, and yet also constantly surprises, and does so in prose that is littered with devastating insights, such as this: "There are people we treat wrong, and later, we’re prepared to treat other people right. Perhaps this sounds mercenary, but I feel grateful for these trial relationships, and I would like to think it all evens out — surely, unknowingly, I have served as practice for other people.” Not a lot of books leave me breathless. This is one of them.
Labels: books
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