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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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Recent Crumbs
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© 2002-2021
IAN ROSALES CASOCOT
Saturday, January 09, 2016
8:34 AM |
Film Log 12: Sisters
I love Jason Moore's
Sisters (2015) for what it is: a celebration of irresponsibility for adults on the verge of Peter Pan syndrome. But as a showcase for Tina Fey's fumbling search for a cinematic foothold, it remains much of the same. Look, she's not a bad comedian. She's a treasure, and that is easily seen in her comedic work -- both acting and writing -- for television. Only a smidgen of that has ever translated to film though. It has been almost 12 years since
Mean Girls (2004). You'd think by now lighting would have struck twice, or thrice. The efforts since then --
Baby Mama, The Invention of Lying, Date Night, Admission -- have been funny, but middling.
Sisters is a continuation of that. But I laughed my head nonetheless. Who wouldn't? Two grown-up sisters (played by Fey and Amy Poehler) are shocked to find out that their parents (James Brolin and Dianne Wiest, in a strange casting continuation as an older married couple straight from the set of TV's
Life in Pieces) have sold their childhood home. They then proceed to hold one last wild party in the house together with what has remained of their high school friends (apparently so many has stayed on in the same town since graduation), trashing the house in the process -- and also consequently falling in love and encountering life lessons along the way. It's de rigeur to elevate trashy comedy like that, but I appreciated more the bacchanalian disregard for adult responsibility by much of the cast. I can feel their pain and joy. I'm now 40, and a part of me still wants to party like it was 1994. The film is gleeful wish fulfilment more than anything else. There is a scene in the middle of the film where Fey's character delivers a rousing call to arms when a couple of old friends attempt to leave the party as adults are wont do in the name of responsibility: "To anyone who's even thinking about leaving, you can forget it. You need this as much as we do. If you think I shlepped all this so that you can go home and watch
Flip or Flop, you are fucking dreaming. Don't you want to feel that carefree again, like balls deep in joy? It's not too late! The young you still lives inside you. We used to party in this house because we thought we would never die. I say tonight we party like Vikings because we know we could die tomorrow!"
Amen, sister! ★★☆☆☆
Labels: film, life, review
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