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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Monday, February 20, 2017
2:25 PM |
Miguel's Small World
I am endlessly fascinated by the small and miniature. When I was growing up, I fantasized there were tiny people living underneath my bed — all of them thumb-sized — and that they navigated our world into theirs via a tiny enchanted door somewhere along my bedroom wall. I was so convinced of this that I’d spend many nights on stakeouts, waiting for one of these magical creatures to open that door and give me a glimpse into their miniature lives in their miniature world. (I have a feeling this was induced by my childhood devotion to the TV show
Fraggle Rock.) That this glimpse never materialised never fazed me. It was a kind of wonder that proved sustainable, and sometimes, even in the full reckoning of adulthood, I’d still think about that childhood fantasy and believe that one day I’d be granted entrance to that world, like Alice into Wonderland, like Dorothy into Oz.
This fascination has since blossomed to assorted other things of a similar nature. I am fond of the small. Like the haiku and other gnomic verses. The bonsai. Doll houses with their miniature furniture. Matchbox cars. Lego. And miniature art.
And so, when
Miguel del Prado started an Instagram account [
@mig_doodle ] devoted entirely to miniature doodles, I was hooked instantly. That this impulse came from him was both a surprise and not a surprise. The first because I had never known him to be particularly expressive over overtly artistic endeavours, something that can truly be declared as part of the personalities of his siblings: Ramon is into animation, Gabby is into culinary arts, Anna is into theatre and dance, and Carmen is into documentary filmmaking. We know Miguel as exemplary
hilot, a completely different sort of craft. But this hidden talent — at least to me — ultimately proves unsurprising — because artistry must truly run in the Del Prado blood, and these doodles are only another revelation of that.
In his doodles, Miguel makes the effort to partner his drawings — usually done in color pencil — with an everyday object of comparable size. A thumb. A coin. The tip of a pencil or pen. Beside these objects, we see the full resonance of the doodles’ miniature nature. The result is a kind of whimsy that brings out a merrier consideration of these works.
What I love about these drawings is the seeming ease of their execution — and that’s part of these doodles’ deceptive appeal. Truth to tell, these are not easy to make: to reduce the essence of the original inspiration — an ice cream cart, a bottle of Coke or beer, a violin, assorted animals, Dexter and his sister, a jeepney — to something the size of a 5-centavo coin is an achievement that requires great skill, a reality that I believe only poets can limn. And the poet Edith Tiempo did try in her wonderful poem, “Bonsai”: “It’s utter sublimation / A feat, this heart’s control / Moment to moment / To scale all love down / To a cupped hand’s size…”
Labels: art and culture, dumaguete, negros, painting
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