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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Friday, August 21, 2020
8:29 PM |
Remembering Mom Edith on Her 9th Death Anniversary
I took this photo of Edith Tiempo in May of 2000 when we were having a break from the workshop session on our second Wednesday, the summer I became a fellow for fiction in the oldest creative writing program of its kind in Asia that she co-founded. We were in a "resort" somewhere in Bacong, now abandoned, which was infamous then for having an entire airplane right inside the compound, where guests could enter and clamber around the interiors, useful for our imagining ourselves in flight for somewhere else. I used to do sepia portraits of every single fellow and panelist, from 2000-2005, and this was part of that project. I'd remember this photo session because Mom Edith just seemed so relaxed. "Just capture me how I am now," she said. I did. And since then I've seen this photo published in many books, modules, and websites, sometimes repurposed for other artworks -- sans credit, hehehe. I remember the day she died in 2011. We were just ramping up for the serious start of Silliman University's weeklong Founders Day festivities -- and I was in a cafe about to enjoy coffee when I got the text message, which sent me racing to the Silliman University Medical Center. By then it was too late, and then soon began the challenge of planning and executing the State Funeral of a National Artist, made more challenging because we were doing it outside of Manila. It was a week of steep learning all sorts of protocols; a lot of sleepless nights -- but I did it because ̛I truly loved her as a mentor. I remember how patient she was with me whenever I visited her, to listen to her stories, or to seek her advice. Much has been made over the fact that many call her "Mom," some of them unkind, but you'd know why this is so if you had the privilege of being mentored by her, of just being in her presence. She simply exuded a one-of-a-kind maternal warmth, but one that's also exacting of your art. We will forever miss her.
Labels: dumaguete writers workshop, life, memories, philippine literature, writers, writing
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