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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Tuesday, March 16, 2021
12:00 PM |
Two Great Men on Making a Mark
Steven Yeun: “From my perspective, I’m just doing me. I’m very fortunate that I’ve been able to do work that feels pulled from my place. I carry with me so many things — including being Korean and Asian American. I’m glad and happy that I might be contributing to a larger, deeper understanding of who we are to each other. But I’m really just trying to play my part as well as I can. I’m still processing what this is. That’s literally where I’m at: What is this? Especially with the backdrop of this last year. I’m still figuring out what’s happened to us and where we’re at. [The year] has torn a veil off for all of us — removed a layer. In some ways, I’m thankful for that. But I recognize how scary that is. A lot of institutions got seen for what they were — the brokenness for what they were. I’m glad for it, because I think we can rebuild. But I recognize a lot of people are scared, because the safety we thought was there is also revealed to not be what we thought it was. It’s a super f—ed up year. So these are cool things — this nomination — I’m thrilled and I’m so blessed that I get to experience this. But I’m trying to hold both things at once, and it’s difficult.”
Riz Ahmed: “To be honest, I just feel like however people can find themselves in this moment, however they can find a connection to this moment, is beautiful to me. Some people may connect to the fact that it’s the first Muslim, some people might say British-Pakistani, some people might say first person from Wembley in London. What matters to me is that these moments of celebration, these moments of collective recognition, are actually moments where as many people as possible can recognize themselves in it. And so that’s all that really matters to me. And I’m really pleased if this is an opportunity for more people than ever before to connect to a moment like this.”
Labels: film, oscar, people, quotes
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