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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Saturday, September 22, 2007
9:45 PM |
On Writing Challenges
My short story "The Flicker" -- which was something I wrote for LitCritters Dumaguete's most recent writing challenge (this time an exercise in horror writing) -- is in this week's issue of the
Philippines Free Press, the one with Erap on the cover. This follows the publication last week of
Nikki Alfar's wonderful "Adrift on the Street Formerly Known as Buendia." (Come to think of it,
LitCritters seem to have a habit of following each other's stories in
PFP. Last year,
Andrew Drilon's story followed the publication of a children's story I wrote, which literary editor Sarge Lacuesta earnestly considered, despite the genre.) My story is coupled with
Conchitina Cruz's poetry, and I found that a little strange since Chingbee's name and nickname is the inspiration for one character in my story (which would also feature several characters with distinctly familiar surnames ...
Alfar, Kwe, Drilon, Simbulan, Yu, Evangelista, Osias, anyone?) "The Flicker" came about after I read Stephen King's unsettling
"1408" a few months ago (a week before the film adaptation came out), and I wanted to know if I could venture into that kind of creepy, atmospheric writing. The truth is, most of my recent stories spring from challenges I give myself.
Can I write science fiction? Then I wrote "The Pepe Report."
Can I write slipstream? Then I wrote "A Strange Map of Time."
Can I write absurd fantasy? Then I wrote "A Tragedy of Chickens."
Can I do minimalist fiction? Then I wrote "Old Movies." (Right now, I'm asking myself:
can I write crime fiction? The story I'm working on in that vein I've already promised to Kenneth Yu of
Philippine Genre Stories.) The results to these challenges are sometimes successful, mostly not, but I like the feeling of having
tried. It's a pain in the butt every time I read another writer/critic complain about the "lack of (or the death of) this and that" in our literature (e.g., "Filipinos don't write crime fiction...," "Where is the humor in our literature?..."), and I always end up arguing back: "If you're so concerned about it, why don't you just fuck off
and write something?"
Anyway... "The Flicker" may prove to be the only horror story I will ever write in this lifetime: the experience spooked me so much I couldn't sleep the night following the finish of that story.
On another note, the comics genius that is Andrew is joining the line-up of The Chemistry Set with his series,
Kare-Kare Komiks. Check it out, and read
Dean's post about it.
Labels: comics, friends, writing
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