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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Friday, May 02, 2008
8:30 PM |
Character Sketches No. 2 : The Vampish Typist
She spends most of her days in this hole-in-the-wall right between a second-tier department store named Nijosa and what used to be Dell Photoshop, before photoshops went the way of dinosaurs in the age of digital cameras. (Now, what used to be Dell is a print shop that specializes in making tarpaulins.) Our woman -- she must be past fifty, pushing sixty -- comes from the analog age, too. The hole-in-the-wall, only six feet wide but stretches inside to a length of a few rooms, is a shop where you go to have your documents
typewritten, and it must have enjoyed its heyday in our little university town where thousands of term papers and feasibility studies needed to get reproduced, carbon copy upon carbon copy, before computers became too much a fixture of our everyday lives. I remember our woman from my earliest days, and she was already there, right near the entrance, in front of her typewriter, tapping out document after document, day after day after day. But it is not her perseverance at a fragile profession that makes her stand out for many of us. It is the way our woman goes to work everyday, always in a sexy dress with thin straps, always in something silky or flowered, always in black or red stilettos. She wears her hair (dyed black) in a buoyant Farrah Fawcett fly-away cut, the tresses all perfectly in place, and her make-up is severe in the way that she puts them on uncompromisingly thick and glorious. When she goes on her break, she simply leaves her typewriter, a page sticking out like a white tongue, and goes to the nearest bakery, near the corner. There she eats, then smokes, and then comes back to her spot, and begins typing again. I have never seen our woman smile. But it has been a while since I've seen her. Is she still typing, somewhere? Or have our computers and our printers completely obliterated the way she has lived for so many years? But how we miss her sexy dress, her sexy walk, her sexy shoes -- and how she seemed to dare the passing years and their threats of obsolescence with every pore of her existence. She will lose, of course, but she will live on as a distinct mark in an Old Dumaguete that is dying every single day to new malls, new cars, new people, new noises...
Labels: dumaguete, life
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