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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
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The Great Little Hunter
Pinspired Philippines, 2022
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The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
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Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
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Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
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Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
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Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
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First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
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Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
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Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
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Inday Goes About Her Day
Locsin Books, 2012
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Beautiful Accidents: Stories
University of the Philippines Press, 2011
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Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
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Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
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FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Saturday, October 11, 2014
3:33 AM |
Love is Blind
The race for the 87th Academy Awards has essentially started with all the online punditry abuzz with each new screening -- and as usual, I want to do my annual unflagging attempt to seeing all possible films in contention, even before the official nominations come on January. This blog series aims to chronicle this effort.
Daniel Ribeiro's
Hoje Eu Quero Voltar Sozinho [The Way He Looks] is Brazil's entry to the current race for Oscar's Best Foreign Language Film, and I find the film likeable and endearing, the same way I felt when I saw the short film
Eu Não Quero Voltar Sozinho [I Don't Want to Go Back Alone] that was its genesis in 2010. To go straight to the point, it is the unfolding story of the dynamics of friendship between a blind but feistily independent Brazilian high schooler, his girl best friend who protects him from bullies, and the handsome curly-haired new boy in school. Things happen, and soon you have a sweet chronicle of a boy coming of age, falling in love, longing for an unsheltered life, and finding out that he is gay. Gainfully acted and produced,
The Way He Looks doesn't strike me, however, as a film that breaks new ground. It doesn't need to, of course -- but without that it doesn't rise above the cookie cutter. It's almost like the film equivalent of pizza -- albeit a gay, PWD pizza -- but still pizza, and thus leaves you yearning still for a fuller meal. Anyone can enjoy this, but that's the very nature of the commonplace.
Best Foreign Language Oscar Chances: Slim.
#RoadToOscar
Labels: film, oscar, queer
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