This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
The impulse to reexamine assumptions has had practical consequences — gender-neutral college dorms and high-school bathrooms — and cultural ripples. Writers like Jill Soloway (creator of TV’s Transparent) and Maggie Nelson (author of the queer-family memoir The Argonauts) have found human drama in gender’s mutability. Meanwhile, BuzzFeed offers an illustrated list showing “What People Say to Gender Nonbinary People vs. the Subtext We Often Hear,” and Rookie presents the recent comic “My Gender Is Weird.” Here’s Teen Vogue on another photo of Jaden Smith in a skirt suit: “The midi skirt set sends up a poignant rejection of heteronormativity.” What sage could have predicted that heteronormativity would eventually make its way into the vocabulary of teen magazines and shareable web content? Only, perhaps, the queer theorist Judith Butler.
It’s one thing to say that gender is performed and that is a little different from saying gender is performative. When we say gender is performed we usually mean that we’ve taken on a role or we’re acting in some way and that our acting or our role playing is crucial to the gender that we are and the gender that we present to the world. To say that gender is performative is a little different because for something to be performative means that it produces a series of effects. We act and walk and speak and talk in ways that consolidate an impression of being a man or being a woman.
I was walking down the street in Berkeley when I first arrived several years ago and a young woman who was I think in high school leaned out of her window and she yelled, “Are you a lesbian?”, and she was looking to harass me or maybe she was just freaked out or she thought I looked like I probably was one or wanted to know and I thought to myself well I could feel harassed or stigmatized, but instead I just turned around and I said yes I am and that really shocked her.
We act as if that being of a man or that being of a women is actually an internal reality or something that is simply true about us, a fact about us, but actually it’s a phenomenon that is being produced all the time and reproduced all the time, so to say gender is performative is to say that nobody really is a gender from the start. I know it’s controversial, but that's my claim.
Think about how difficult it is for sissy boys or how difficult it is for tomboys to function socially without being bullied or without being teased or without sometimes suffering threats of violence or without their parents intervening to say maybe you need a psychiatrist or why can’t you be normal. So there are institutional powers like psychiatric normalization and there are informal kinds of practices like bullying which try to keep us in our gendered place.
I think there is a real question for me about how such gender norms get established and policed and what the best way is to disrupt them and to overcome the police function. It’s my view that gender is culturally formed, but it’s also a domain of agency or freedom and that it is most important to resist the violence that is imposed by ideal gender norms, especially against those who are gender different, who are nonconforming in their gender presentation.