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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Sunday, March 26, 2017
12:37 PM |
The Places We Leave Behind Live On Without Us
There is almost nothing left of my childhood in Bayawan. The lot of that corner building, all concrete and hollowed out, used to be the house I grew up in. That lot with the trees and the little shed used to be where my Aunt Fannie’s house once stood. That NOVO store used to be the imposing El Oriente, the cinema where I saw my first movie in.
The cliches abound: everything has indeed become smaller. Only a muscular memory of things remain. For example, there is no getting lost in the maze of Bayawan’s little streets -- I find that a kind of compass remains deep within, and so while the corners and byways now look utterly unfamiliar, a quiet instinct takes over, gently telling me, “Turn this way, turn that way.”
Must I be sad that so much has changed? But what do we expect of places we leave behind really? Do we expect them to remain static in time, museums to our memories, embalmed and preserved and waiting for eternity for our inconstant returns where we can expect to embrace the comfortable unchanging of things, even as we leave, even as we change, even as we turn adult with all its attendant regrets? I don’t begrudge my childhood “erased” in Bayawan. Places have to live on without you. One has to learn the irrevocable truth that the past is a different life, a different country. You were a footnote in one chapter of this place’s story, and you had long since gone.
Labels: life, memories, travel
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