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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Thursday, April 12, 2018
9:08 PM |
Nico is Nothing But a Third-Rate, Trying Hard Douchebag
Watching Emmanuel Borlaza's
Bituing Walang Ningning (1985) again, after so many years of this film being just memory, and I think the real villain is Christopher de Leon's Nico Escobar. A privileged music exec who doesn't seem to do any real work, he dates the most successful singer in the country, but wants Lavinia to give up [almost] everything to be his wife. Spurned by Lavinia who only wants to live to her best potential, Nico proceeds to groom some Eliza Dolittle character named Dorina to challenge Lavinia, like some petulant six-year-old Svengali with influence and money. And when Dorina in fact succeeds to become the fast-rising singing sensation in the country, Nico gives her the same ultimatum: give up everything and be my wife. The douchebag! Of course this being the 1980s, Dorina gives up everything for love. In the showdown concert that ends the movie, Dorina shares the same stage, and song, with Lavinia in some mid-80s version of female camaraderie. On stage, we behold the ex and the current -- both victims of Pinoy patriarchy which strongly determines the shape of female success. That this was once framed by Pinoy pop culture of old as a "romance" that celebrates "love triumphant over everything else" makes me cringe.
But that's me being a feminist. As a lover of 80s melodrama, I loved it.
Labels: feminism, film, review
[0] This is Where You Bite the Sandwich
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