HOME
This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
Interested in What I Create?
Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Saturday, February 08, 2020
3:00 PM |
Short Takes on the Oscar-Nominated Documentary Short Subject, 2019
With Bong Jon-hoo's
Parasite and Seung-jun Yi's
In the Absence, we truly see a Korean ascendance in world cinema -- and both have so much alike, to be honest, including their unsparing critique of contemporary Korean society. In this documentary short, we navigate through that via the ineptness that attended the botched rescue of the ferry MV Sewol, which sank off the coast of South Korea in 2014, killing hundreds of passengers, mostly high school students in a field trip. It's a gripping and unsettling fly-on-the-wall documentary, and we are made to witness the hours tick by as the ship sinks slowly, while its passengers patiently await rescue, to their deaths.
I don't want to say much about Kristine Samuelson and John Haptas'
Life Overtakes Me, except that in this documentary, about refugee kids in Sweden falling into a form of sleeping sickness bordering on coma triggered by PTSD over their plight, something feels and smells fishy.
Perhaps the most feeling-precious of this year's bunch of documentary short subject nominees is Laura Nix's Walk
Run Cha-Cha, a love story about Vietnamese refugees re-bonding over ballroom dancing in New York in their senior years. You see, they used to be lovers in Vietnam, but were soon separated by the vagaries of war. Meeting once more in America, they try to rekindle their romance by dancing.
Awwww. It's cute, but it's shallow -- and not even the sentimental production number at the end can truly save this film.
Carol Dysinger's
Learning to Skateboard in a Warzone (If You’re a Girl) is your standard "people in perilous places" documentary, and while its narrative arc and subject matter -- about a school that pains to teach Afghan girls basic school subjects, plus skateboarding -- no longer surprise us, it doesn't disappoint in putting heart to the heroism it depicts.
In Sami Khan and Smriti Mundhra's
St. Louis Superman, we see a strange hybrid of black lives, politics, and rapping. It mostly works, and I like it, but this film was not made for me.
VERDICT: In order of preference,
Learning to Skateboard in a Warzone (If You're a Girl) >
In the Absence >
St. Louis Superman >
Walk Run Cha-Cha >
Life Overtakes MeLabels: documentaries, oscar, review, short films
[0] This is Where You Bite the Sandwich
GO TO OLDER POSTS
GO TO NEWER POSTS