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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Wednesday, July 06, 2005
2:57 PM |
Autobiography
For G.Somewhere, my sundial woman and prophetess gets her heart broken. She speaks of it as a bewildering thing, because she has spoken not too long ago about "moving on," of "closing chapters," of
living, finally, because she
must. And yet, just like that, a glimpse of him one slow night unravels all that she is, and perhaps all that we are as well. I say "we" because hers is also our own collective autobiography. This is a story that we all know: the messy fact and quirky nuances of loving and leaving, and although the details from each of our lives may differ in hues and textures, the hearts of everyone of us remain the same muscle that know the same music. All of us know that we often seek the whole of the universe for that formula of consolation to our common pains -- and often, we
do find it, or a semblance of it, in carefully cultivated changes of perceptions we foster to massage our weary souls. In the end, what we can know for sure is that no one can say anything really to a once broken heart, because the usual soft words to cushion the blows that go deep -- "This, too, shall pass," for example -- have become too trite they have long ago lost their meaning. Finally, it seems that only silence, and perhaps an offer of a hand to touch and calm her trembling, will be the only necessary vocabulary to ease pain. Soon she tells me without even saying anything that such silences may be enough. I now believe it is largely a myth to say things do pass on. Because things like pain certainly
do not pass. They are not like signposts on the road that you can easily pass hurriedly by to get to that place in the distance that promises a kind of comfort. In truth, I tell her, we only just learn to live with the unexpected reservoir of pain or memory, and all that we can ever really wish each other is grace. To live out the turbulences of all our lives with grace, and to hope we can actually carry through -- that is more than we can do.
Labels: life, love
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