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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Thursday, February 13, 2020
11:13 PM |
Parasite and Miky Lee
Reading
this article in
The Hollywood Reporter, and it answered a question I had while watching the Oscars Monday morning. Just like I was, many people were confused what to make of the second woman who gave an acceptance speech after
Parasite won Best Picture at the Oscars.
"Who was that woman who professed to loving Bong Joon-ho's hair and how he talks?" mostly in dismissive mocking tone.
Turns out she is
Miky Lee, one of South Korea's richest women, whose family built Samsung—and whose love for movies and pop culture almost single-handedly led to the two-decade rise of Korean film, and music. [Yes, K-Pop!]
Two things I'm taking from this article:
[1] Is there a Pinoy equivalent of Miky Lee, an insanely rich individual who built multiplexes all over the country in a long-term belief that the only way to make a robust film industry is to strengthen its movie-going base by providing sufficient film distribution, and by nurturing filmmakers who delivered quality content—educating a mass audience in the process, instead of coddling them with formulaic fare?
[2] Isn't it fascinating that for all of
Parasite's anti-rich rhetoric, it wouldn't have been possible without chaebol money? Is this another instance of capitalism consuming everything—including, paradoxically, criticism of itself—for profit?
Labels: capitalism, film
[0] This is Where You Bite the Sandwich
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