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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Thursday, December 21, 2006
12:31 AM |
Oscar Heats Up
I'm slowly doing my homework catching up on the films being tipped for the
Oscars early next year.
Oscar Watch, of course, helps bring all critical consensus together -- but there's nothing like watching the films themselves to firm up what I can believe to be this year's best.
I've already watched Martin Scorsese's
The Departed in the theater (not Scorsese's best, but entertaining enough to be a shoo-in; plus, give this genius his golden guy
already), but I was not able to catch Clint Eastwood's
Flags of Our Fathers because, given the choice I had then, I opted to watch the wonderful
Inang Yaya instead. (
Sariling atin muna!) Stephen Frears'
The Queen is wonderful, wonderful,
wonderful -- and Helen Mirren
will win that Oscar, although I'm also leaning towards Meryl Streep's virtuoso comedic performance as a cold fashionista shark in
The Devil Wears Prada. Sofia Coppola's pink-colored
Marie Antoinette was boring as hell -- scratch that from all contender's list. I was hoping for
The Blossoming of Maximo Oliveros to have Oscar momentum after its nomination in the Independent Spirit Awards (and its inclusion in Dave Ansen's "best" list in
Newsweek), but that's increasingly a stretch, given that
Volver, Pan's Labyrinth, Curse of the Golden Flower, and
The Lives of Others (all unseen by me) seem to be catching more fire. (Although that category always springs a surprise, so don't count out Maxi just yet.
The Banquet though is a dead duck. What a stupid movie that was.) As for documentary? My heart's still with
An Inconvenient Truth. And the penguins in
Happy Feet will tap out the automobiles in
Cars to get the top prize.
I just hope nothing mediocre like last year's horrendous
Crash will prove to be the biggest upset of all.
And so the watch continues.
Labels: film
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