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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Tuesday, July 31, 2007
9:28 PM |
Michaelangelo Antonioni, 94
Too soon after the death of Ingmar Bergman, another film master, the Italian director
Michelangelo Antonioni, passes away. With these two deaths all incredibly within days of each other, the serious film world can only shake with so much shock. The Associated Press reports in The New York
Times: "[Antonioni] whose depiction of alienation made him a symbol of art-house cinema with movies such as
Blow-Up and
L'Avventura, has died, officials and news reports said Tuesday. He was 94... Antonioni depicted alienation in the modern world through sparse dialogue and long takes. Along with Federico Fellini, he helped turn post-war Italian film away from the Neorealism movement and toward a personal cinema of imagination... His exploration of such intellectual themes as alienation and existential malaise led Halliwell's Film Guide to say that
L'Avventura, Antonioni's first critical success, made him a hero of the highbrows... "In the empty, silent spaces of the world, he has found metaphors that illuminate the silent places our hearts, and found in them, too, a strange and terrible beauty: austere, elegant, enigmatic, haunting," Jack Nicholson said in presenting Antonioni with the career Oscar." More
here.
[
UPDATE: Antonioni died
on the same day as Bergman, the
Times now reports. How's that for Cinema's Black Monday? Rick Lyman writes a wonderful obituary
here.]
Labels: directors, film
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