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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Friday, January 23, 2009
I have discovered dancing again. For me, dancing signifies a concrete promise of freedom: permitting your body to sway and follow the rhythm, the flow of music -- this takes a kind of flight from our inhibitions, and one can never really dance well when all we think about are the people we imagine scrutinizing our moves. Dancing is a kind of meditation, really: a pulsating concentration that allows you to fly and to stay grounded at the same time. I like the way the music washes over me as I dance these days, whether in the dance floor of a bar, or alone in my room or in the company of friends: most of the time, I close my eyes, and just let my body do what it thinks it can do. The other day, and last night, it was Safri Duo that I was dancing to -- and when the "Adagio" track filled the room, I found that it somehow "completed" the way I am now. The track spoke to me more than bromides about love and living would or could. It has since become the soundtrack of my days, and I dance to it like a lover both bereft and hopeful. It is freedom to acknowledge that. The iconic image of my head of this very freedom comes from the film
Playing By Heart, where Ryan Philippe's character dances in the middle of a crowded floor, alone, his eyes closed, his body lost in a trance. It makes me believe some more this old, overused quote from William Purkey: "Love like you've never been hurt, and dance like no one's watching." I believe it, because it is so fucking true.
Labels: dance, life, music
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