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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
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© 2002-2021
IAN ROSALES CASOCOT
Sunday, May 17, 2020
10:00 AM |
The Film Meme No. 23
[23rd of 100]. Talk about impact. The novel by Carl Sagan, the late great romancer of science, was beloved by me. Its prose influenced so much how I imagined the beginnings of my short story "A Strange Map of Time," which won the 1st Philippine Graphic/Fiction Awards sponsored by Neil Gaiman in 2006. The film adaptation of the novel came out in 1997, around the time I came back from a year of living in Japan to finish my studies at Silliman -- a time of so much ferment that led to so much productivity in the 2000s. I will forever associate the movie and the novel to that time, and I think I know why: it is a tale of consuming passion when everyone else around you tells you you're looking for the impossible -- only for the possible to happen, taking you on a singular journey that defiesĀ“ the understanding of those who didn't go on it. It asks, fundamentally, this: What do you believe in? As a young writer, I grappled with that question as well, and I think an underlying theme to things I've written is really about faith. [Read "Things You Don't Know."] The film is an encapsulation for all of these. I follow the travails of its protagonist as she looks for answers to her questions to the stars, adamant in her search regardless of gigantic, often bureaucratic, roadblocks. And then the answers come from the skies as alien ciphers she [and now the rest of the world] must try to decode, which leads to the construction of a ship, which leads to a leap into the void. The philosophical and scientific fireworks of this story are immense. The movie received less than accommodating responses from critics when it was first released, which I never understood. It is a perfect distillation of an epic scale without sacrificing much of the philosophy that drove the Sagan novel. But I guess the movie, like its protagonist, is always misunderstood, but it pushes ahead anyway, searching for a map through the stars while everyone else is happy being earthbound. What's the film?
For the introduction to this meme, read
here.
Labels: film
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