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This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
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Bibliography
The Great Little Hunter
Pinspired Philippines, 2022
The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018
Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018
Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018
Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017
Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017
First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014
Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013
Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013
Inday Goes About Her Day
Locsin Books, 2012
Beautiful Accidents: Stories
University of the Philippines Press, 2011
Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011
Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006
FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards
Follow the Spy
Recent Crumbs
Blogs I Read
© 2002-2021
IAN ROSALES CASOCOT
Saturday, May 23, 2020
10:00 AM |
The Film Meme No. 29
[29th of 100]. There is a briskness to this movie that belies its one hour and 45 minute running time: it always feel like it's too short, that there should be more. And perhaps that speaks volumes to the appeal of the movie, which has become a cult classic. What's not to like? It has Meryl Streep and Goldie Hawn in camp of the highest order, playing narcissistic would-be zombies who have discovered the "fountain of youth" [and paid grimly its price]. It makes us ponder a little bit more the concepts of immortality and beauty and youth, and the lengths people go to to achieve them. And it is extremely, wickedly funny. Nothing is wasted in this black comedy, from broken necks to belly holes -- it is the peak of the director's long streak of imaginative hits that started with
Romancing the Stone in 1984 to
Cast Away in 2000, including the
Back to the Future trilogy,
Who Framed Roger Rabbit,
Forrest Gump,
Contact, and
What Lies Beneath. [What a streak!] When this movie came out in 1992, it featured special effects of comedic mayhem that was groundbreaking for its time, from the team that would also give us the magic of
Jurassic Park the very next year. And the special effects are still remarkable so many years later, more than the CGI monstrosities we get these days. It allowed me to laugh at the macabre, and in beholding Meryl Streep embracing farce gave me permission to embrace the kookiness of things. Comedy can be very serious. What's the film?
For the introduction to this meme, read
here.
Labels: film
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