Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop Sands and Coral, 2011-2013
Silliman University, 2013
We did this before, once, in 2012 -- and although that was a fun and very historical event, we never really thought we'd be "allowed" to do it again here in Dumaguete. Thing was, the first one was organized by the City Health Office, and they invited us to make their Health Month Parade an LGBT Parade in support of HIV Awareness. But to actually mount one on our own? We never thought that could happen. (Ten years ago, this was a concrete impossibility in Dumaguete.)
But iSpec happened.
The LGBT/straight alliance in Silliman University was only founded very recently -- and this year, it decided to flex some more of its ambitions as an organization, especially in the aftermath of the Orlando massacres: first, they did a poetry reading early this month, which was a huge success. And second, they wanted to do a Pride parade.
If you must ask, a parade is important.
A parade means visibility. A parade means an actual commitment by people to give support to a cause by actually walking down the streets under the heat of the sun, to be witnessed by the rest of the city, their very presence saying: "I am with this cause. See me walk. And hear me shout." A parade means solidarity. A parade means a celebration, this one of difference. A Pride parade for gay people means a "coming out" that's close to spectacle. A Pride parade for straight allies means a recognition of the need for equality, a gesture of support where traditionally there has been none.
This year, for our first official Pride parade after its "introduction" in 2012, we start small. (We didn't even have a band! All we had was a loud speaker playing dance music!) But I love the turn-out. It was certainly more than we could hope for in an event that's still quite new for many, and something that's fraught with a taste for discrimination. I loved how there were more straight people -- even church people -- joining it than gay ones, which is indeed something.
Hopefully, in the years to come -- next year! -- we become bigger, so much bigger that our voice will not only be heard, it will be reckoned with. Congratulations to all the organizations and individuals who joined in! Congratulations to iSpec! Next time, let's have drag queens, and let's invite the beauty parlor gays!
To work with Myrna Peña-Reyes is to invite an eye for sharpness and perfection. That was only to be expected.
And so when the esteemed Dumaguete poet approached us at the Edilberto and Edith Tiempo Creative Writing Center at Silliman University (for which she has served faithfully as Writing Associate) and asked us if we could help her throw together a small launch for newest poetry collection, her third, we had to say yes.
Why? Because she was a legendary poet. Because she embodied, more than most, the formal beauty of Sillimanian poetry. And because she had always been a good friend, not just to us in the Center, but also to countless people in Dumaguete, who considered her sharp opinions and withering regard for incompetence something of a standard to live up to.
We said yes, even when we knew that to work with her was to subject ourselves to careful scrutiny, with every last inch of our efforts more or less subjected to countless queries for updating, and massive detailing that had to resonate with her grand obsessive compulsion.
We said, “Challenge accepted.”
But we also thought: how else to subvert her carefully laid plans, just enough to give her a nice surprise?
She gave us a ready-made program to work with. Very typical of Ma’am Myrna. It already listed down a series of poems from her new book, Memory’s Mercy (University of the Philippines Press, 2015), which were to be read by her poet friends who just happened to be in town as panelists for the third week of the Silliman University National Writers Workshop. This consisted of the formidable bunch of Krip Yuson, Gemino Abad, Susan Lara, Marjorie Evasco, and Ricky de Ungria (who happened to be this year’s Director-in-Residence for the workshop).
She had the musical interludes already chosen—The Beatles’ “When I’m 64” and “There Are Places I Remember,” and John Denver’s “Today,” all three her personal favorites—and she had already made arrangements for these to be sung by the campus top baritone Rigel Suarez, accompanied on the piano by the indomitable Elizabeth Susan Vista-Suarez.
She had already provided the dots, so to speak. We were there to connect them. To all her directives, we said, “Yes, Ma’am Myrn. Yes, Ma’am Myrn.”
She didn’t account for our secrecy and our deviousness.
All along, we were conspiring how exactly to make the event more than just a book launch. We wanted something to be also a fitting tribute to her. She deserved it. She deserved to know how much she was loved, how much she was admired. And so we set out to make one program which was to her liking, and which she had already given her absolute approval—and this became the program we printed out for all the guests. But we also had another program we kept secret, complete with inserted tributes, all calculated to surprise her—but also to amuse her. That, if we were incapable of making her cry.
“Let’s make her cry,” I told everyone.
But she must have already sensed something was afoot when the day came, and I told her Ron Calumpang was hosting.
“Aren’t you hosting?” she told me, her eyebrows raised.
I merely took her hands, led her to the special chair we reserved for her at the event venue, the U University House in Silliman Campus, and said: “Ma’am Myrn, don’t worry about anything. Just relax and enjoy yourself.”
“Did you get the map I asked you to project for the poem Susan is reading?”
Ooops, I thought. How do I tell her Susan wasn’t reading that poem anymore?
“Just enjoy, Ma’am Myrn,” I merely repeated myself.
She raised her eyebrows once more when Ron began with this welcome: “We have reserved this to honor to one of the most beloved figures in Philippine poetry in English. This year, the University of the Philippines Press has come out with her third collection of poetry—and we are here not just to launch this much-awaited book, but also to give tribute to the writer behind it. It has to be said that Ma’am Myrna has toiled very hard—like the O.C. that she is—to make sure that our program this afternoon would be to her liking, making sure that the flow should be done in a certain way, making sure that some of her favorite songs will be sung. And since this is her afternoon, we have made sure that all her wishes will come true. And then some: because we have little surprises for her along the way, essentially tributes to this writer, and how she is as a mentor, as a writer, and as a friend.”
Creative Writing Center Secretariat Lady Flor Partosa gave the first surprise tribute, and began it with an apology: “I have to apologize, Ma’am Myrnz, if my speaking here appears out of order,” she said, “but rest assured it is all part of the whole grand scheme of things.” And she continued: “At best, I will offer a few words as tribute, and let me start by saying that if there is one word to describe Ma’am Myrna: I will say that she is a giver. She generously gives her words, thoughts, and time to the workshop, the Creative Writing Center, and even to me, when I have something to share to her. Ma’am Myrnz can be very candid and frank but you know that she always does so out of concern and care for your or for the work that you do—be it a workshop activity, a program, another poem or essay. And I would like to add, if only by way of connection to this magnanimous woman, that Ma’am Myrnz and I have been connected decades before when as young college students they would go to my grandparent’s place in Valencia. I remember Ma’am Myrna and I laughing and smiling at her stories of their time in my grandparents’ house, recalling, for instance how my grandmother made the best chicken gravy in town. Ma’am Myrnz, all I can say is thank you for sharing this moment with us, launching your new book of poems in the workshop. Thank you so much for your generosity!”
The poet Marjorie Evasco followed that with a reading of “Off Course,” and word wizard Cesar Ruiz Aquino followed with a reading of “The Making of Tales.”
Virginia Stack, the administrator of the Korean Gandhi School in Valencia town, and a fellow member of the Wednesday Group, gave the second tribute. “The first time I met Ma’am Myrna was when she came to our Wednesday Reading Group,” Tata said. “She was invited by Annabelle Lee-Adriano, and I liked her right away—because of her humility being a prolific poetess. She owns it with a lot of thoughtfulness.” She continued: “I got the privilege of receiving her first two books as a gift for my birthday two years ago. And I love her poems. Many of her poems speak volumes about the human condition, and quietly touch the soul, very deeply. One of the dearest connection that we shared as kindred spirits was our love for our pets. When Simon and I first came here in Dumaguete, we brought our cat, Sebastian, all the way from New York. At that time, the cat was already 19 years old. After a year and a half living here in Dumaguete, Sebastian died of old age. He was very old, very, very old... Ma’am Myrna, among one of our few dear friends, came to the memorial ceremony. After the ceremony for Sebastian, Ma’am Myrna shared her own grief over the death of her beloved dog, where she made a promise to herself that would never again take another pet because of the pain she had to endure. I knew exactly what Ma’am Myrna had gone through.” And then Tata quietly finished by reading “Dog Gone,” Ma’am Myrna’s old poem about the loss of her pet, a puppy dog named Bantay.
The poet and anthologist Gémino H. Abad followed that with a fiery recitation of “Thunderstorm Over Diliman,” and fictionist Susan S. Lara with a reading of “Commuters,” a poem dedicated to the late Ernesto Superal Yee.
The last tribute was given by businesswoman and literary aficionado Annabelle Lee-Adriano who gave a spontaneous speech about her admiration for the poet and friend: “I credit my husband Edo for having introduced me to this ‘institution’ and her equally formidable twin, Lorna Makil,” Annabelle remembered. “She has been my little stress ball, and I hers... She’s been a source of strength, and also so much laughter... To Madam Myrna la Douce, life has been so much sweeter since you’ve been in my life.”
This was followed by the last of the readings, with Alfred A. Yuson reciting “Who Mourns the Death of Ants?” and Ricardo M. de Ungria reading “A Momentry.” And to cap it, J Marie Maxino stood up to introduce a video she had been editing the past three days prior to the event: a compendium of talking heads—friends and colleagues of the poet—giving their testimony about how she had been to them as writer and as friend. The video ended with a raunchy, very spirited reading of “The Blue Girl in Geography Class” by the poet’s niece, the actress Frances Makil Ignacio.
“That’s the missing poem Susan was supposed to read!” Ma’am Myrna exclaimed.
“Now you know why I had to choose something else!” Susan laughed.
After the poet’s response, Department of English and Literature Chairperson Warlito Caturay Jr. gave the surprise closing remarks:
“Annie Dillard once wrote that ‘we need to rescue the beauty of experience from the destructiveness of change,’” Warlito began. “Of course, because of technology, it has become so easy to capture the moment. Do you want to immortalize your love affair with a slice of red velvet cake from your favorite bakeshop? Take a selfie and Instagram it. Do you need to capture the performance of your favorite boy band? Take a video of it and upload it on YouTube. These are instantaneous ways of ‘rescuing the beauty of experience.’”
He continued: “But if there’s one thing Ma’am Myrna has shown us through her body of work, it is that creativity and controlled language could as well preserve the beauty of experience. Perhaps, even more poignantly. Today’s launch of Ma’am Myrna’s book is a joyous occasion. We not only celebrate her work, but also Ma’am Myrna for being Ma’am Myrna, who has always been a staunch supporter of the Silliman University National Writers Workshop and who has always been a loyal Sillimanian—generous of her time, talent, and resources, especially when the Department of English and Literature needs her. In behalf of the Department and the Creative Writing Center, thank you very much for coming and showing your support to one woman we genuinely admire and respect.“
And the poet was happy. “You are all schemers!” she smiled to us in the end. We gave a sigh of huge relief.
I will be in Cebu City on June 20 to take part in the second Cebu LitFest, perhaps the most important literary festival of its kind in the region. The event is a joint venture of Little Boy Productions and the Cebuano Studies Center of the University of San Carlos, and -- according to its press release -- "it’s a full day of all things literary starting from 10 AM, with talks, moderated conversations, workshops, presentations, book launchings, readings and musical performances -- all for free." We need more literary events like this. Read more about it in the Philippine Daily Inquirerhere.
The full-day schedule is as follows:
10 AM
Lit Matters: A discussion on teaching literature in Philippine schools with Christine Godinez Ortega, Joseph Tan, and Nancy Toledo. Hope Sabanpan-Yu, moderator.
11 AM
Situation and Setting: A workshop for poetry and prose with Tim Tomlinson, president of New York Writers Workshop.
12 NN
Writing in Tongue: A panel on Bisaya literature with Merle Alunan, Insoy Ninal, and Bambi Beltran. Kristee Ann Delfin, moderator. Book launch.
1 PM
Home and Away: A panel discussion with Cebuano poets Larry Ypil, Nikay Paredes, and Jun Dumdum. Tim Tomlinson, moderator. Book launch.
2 PM
Coming Out: A panel on Philippine LGBT writing with Ian Rosales Casocot, Kristian Cordero, and John Iremil Teodoro. Niel Kintanar, moderator. Book launch.
3 PM
Anywhere But Here, Any Time But Now: A reading from a work in progress travel book by Jessica Zafra, followed by interview with Jude Bacalso. Book launch.
4 PM
The City as A Story: Carlos Celdran talks about his Intramuros and Imelda narratives, followed by interview with Isolde Amante.
5 PM
Mojaresil: Resil Mojares in conversation with Jessica Zafra. Book launch.
6 PM
Pechakucha x #cebuLitFest with Francis Sollano of Movement for a Livable Cebu, Grace Lopez of USC Film Department, Darwin Dexter Sy of Bomba Press, Boboi Costas of Aloguinsan River Eco-Cultural Tourism, Nancy Cudis of Cebu Book Club, and Mark Deutsch and the Happy Garaje team. Hosted by Maria Gigante.
7 PM
Folk Fiction x #cebuLitFest featuring Carissa Garcia Codilla, Jude Bacalso, Nikay Paredes, Lawrence Ypil, Ian Rosales Casocot, Michelle Varron, Carlo Villarica, Don Frasco, Darliza C. Dar Juan, Patrick Abing, Marc Abuan, Iris Jakosalem, David Cua, Johnn Mendoza, Mich Padayhag, Noel Villaflor, Ahmed Cuizon, Shane Carreon, Jona Bering, Manu Rodrigo, Myke Obenieta, Jeremiah Bondoc, Edwin Joseph Castaneda and Adonis Durado. Musical performances by Therese Villarante and Nar Cabico.
See you at the Cebu Literary Festival 2015 on Saturday, June 20, Ayala Center Cebu. Use the hashtag #cebuLitFest to join the fun! A full day of everything literary! Talks, moderated conversations, book fair, readings and musical performances all day! Best of all, its free! For more information call (0915) 445-3049.
5:56 PM |
Launching Myrna Peña-Reyes' New Poetry Collection
Myrna Peña-Reyes' new poetry collection, Memory’s Mercy: New and Selected Poems (University of the Philippines Press, 2015), will be formally launched on Thursday, 28 May 2015, 4 PM at the University House (formerly President’s House) in Silliman Campus.
Memory’s Mercy is the third poetry collection of Dumaguete poet Myrna Peña-Reyes whose previous collections are The River Singing Stone (Anvil, 1994) and Almost Home: Poems (UP Press, 2004). This third collection contains new poems written after she retired here with her husband in her hometown of Dumaguete in 2005 after living abroad for thirty-four years. It includes selections from the out-of-print The River Singing Stone that was nominated for the National Book Award.
Born and raised in the Philippines of Ilocano stock but Visayan upbringing, Myrna Peña-Reyes was educated at Silliman University from elementary through college (BA English) and the University of Oregon (MFA in creative writing). While a resident of Eugene, Oregon where she lived with her husband, William T. Sweet, she was a winner of the Oregon Literary Fellowship grant for poetry (2002) from Literary Arts. Presently retired in her hometown of Dumaguete, she continues her volunteer affiliation with Silliman University’s literature and creative writing program.
The book launch is fittingly held during the closing week of the 54th Silliman University National Writers Workshop. Present at the first Silliman Writers Workshop in 1962, Myrna had helped its founders, Drs. Edilberto K. Tiempo and Edith L. Tiempo, run the Workshop during its early years in the ‘60s and early ‘70s.
5:39 PM |
The Second Dumaguete Pride Parade
