This is the blog of Ian Rosales Casocot. Filipino writer. Sometime academic. Former backpacker. Twink bait. Hamster lover.
Email: icasocot(at)gmail.com


The Great Little Hunter
Pinspired Philippines, 2022

The Boy The Girl
The Rat The Rabbit
and the Last Magic Days
Chapbook, 2018

Republic of Carnage:
Three Horror Stories
For the Way We Live Now
Chapbook, 2018

Bamboo Girls:
Stories and Poems
From a Forgotten Life
Ateneo de Naga University Press, 2018

Don't Tell Anyone:
Literary Smut
With Shakira Andrea Sison
Pride Press / Anvil Publishing, 2017

Cupful of Anger,
Bottle Full of Smoke:
The Stories of
Jose V. Montebon Jr.
Silliman Writers Series, 2017

First Sight of Snow
and Other Stories
Encounters Chapbook Series
Et Al Books, 2014

Celebration: An Anthology to Commemorate the 50th Anniversary of the Silliman University National Writers Workshop
Sands and Coral, 2011-2013
Silliman University, 2013

Handulantaw: Celebrating 50 Years of Culture and the Arts in Silliman
Tao Foundation and Silliman University Cultural Affairs Committee, 2013

Inday Goes About Her Day
Locsin Books, 2012

Beautiful Accidents: Stories
University of the Philippines Press, 2011

Heartbreak & Magic: Stories of Fantasy and Horror
Anvil, 2011

Old Movies and Other Stories
National Commission for Culture
and the Arts, 2006

FutureShock Prose: An Anthology of Young Writers and New Literatures
Sands and Coral, 2003
Nominated for Best Anthology
2004 National Book Awards

7:00 AM |
Couples
Labels: dumaguete, life, love, music, video
8:21 PM |
The Russian Candidate
12:04 PM |
Classic Film Dancing to Uptown Funk
Labels: art and culture, dance, film, humor, pop culture, video
12:26 PM |
How to Eat a Pizza
Slice by Marco Castro on Vimeo. Featuring "Every Time You Go Away" by Paul Young.
Labels: food, music, queer, video
3:15 PM |
Writing Iowa
Writing Iowa from Lewis Liu on Vimeo.
Labels: film, iowa international writers program, travel, video, writers
3:27 PM |
One
Labels: life, love, music, video
9:09 AM |
Sex and the Senate

By Lourd Ernest de Veyra
Manuel Quezon, Sergio Osmena, Manuel Roxas, Claro M. Recto, Eulogio Rodriguez, Lorenzo Tanada, Jose W. Diokno, Jovito Salonga, Benigno Aquino Jr. Throughout history the Philippine Senate has been the incandescent cradle of statesmen of towering intellects and oratorical intensity. Teofisto Guingona’s breathlessly elegant denunciation of Erap, “I Accuse,” was haunted by the spirit of Emile Zola. Decades earlier, Jose P. Laurel declared, “If I had to choose between my love of country and the church, my love of country comes first.”
On May 28, 2009, it’s just… “I even shouted ‘sizzling hot!’”
The Rizal Bill of 1956 drew great debates between intellectual heavyweights like Claro M. Recto and Francisco Rodrigo—both men of letters, in what was controversially viewed as conflict between the Catholic Church and the emerging nationalism. Ninoy Aquino exposed the 1968 Jabida Massacre, where the AFP exterminated at least 28 Moro recruits trained for covert military operations in Sabah.
In May 2009, Bong Revilla has the Hayden Kho-Katrina Halili sex video.
I also doubt “Ano’ng software ang ginamit mo?” would resound as one of Philippine history’s greatest speeches.
But since the Erap impeachment trial (some say as early as the 10th Congress), the Senate has stopped becoming the shining beacon of political nobility. Not since its members are voted into office not for their knowledge and virtue but through stupid jingles and celebrity endorsements. Once it was a fount of wisdom and patriotism. Now they’re just like those squirming little things you find under dead tree trunks after the rain.
This is not the first time the Senate has taken on a highly lurid controversy of absolutely zero political consequence. Remember the Brunei Beauties controversy back in the ’90s where Ruffa Gutierrez et al were summoned to an investigation? “In aid of the legislation” has become the most abused and misused phrase in modern Philippine politics. “Ano’ng software ang ginamit mo?” and “Saan mo nilagay ‘yung camera?”are not examples of questions with legislative intent either. What’s next, a bill proposing the ban of USB cables?
The 14th Congress of the Philippines has debased itself when it became the theater of a salaciously cheap psycho-sexual drama on May 28, 2009. It is bad enough that the past high-profile hearings simply went pfft. Citing the hitherto unresolved examples of ZTE, the Euro Generals, Jocjoc Bolante, the Legacy Group, by now we should have reached the conclusion that the Senate hall in the GSIS Building can serve the people better by being converted into a bowling alley.
Heading the investigation were three senators, two of whom are not known for their tact, two of whom are movie actors (one of them also not known for being a serial monogamist).
Towards Kho, Revilla was abrasive and judgmental, his thick eyebrows raised to intimidating angles. Jinggoy Estrada bullied Kho’s lawyer, Lorna Kapunan who was requesting that the hearing be made private. (In contrast, by characteristically keeping his mouth shut, Lito Lapid was a portrait of grace. But Lapid was not required in the panel. He is, after all, the so-called chairman of the Senate committee on silence.)
That the packed gallery—made up mostly of Senate employees—burst into applause when Estrada snarled “I demand the presence of Kho in this hearing!” ought to have been a clue already. All that was missing was the dancing seals, the jugglers, and the trapeze flyers, and they could start selling peanuts.
You can accuse it of anything but you can’t accuse it of not being gripping entertainment.
It has elements not even Robbie Tan and Mauro Gia Samonte would have imagined. Sex, drugs, illicit romance involving eye-pleasing celebrities, dirty accusations hurled, haughty interrogators squeezing their teary-eyed subjects for details, each one juicier than the next.
And each has no place for what is supposed to be an august body. That afternoon of May 28, 2009, Madrigal, Revilla, and Estrada—especially Estrada, for demanding a public inquiry—ceased to become honorable lawmakers. Instead they sank to the level of showbiz tabloid interviewers who merely stoked the flames of prurient interest. Where it used to be an intellectual battleground for issues that change the nation’s destiny, now it’s just a cesspool of gossip and smut. In the ’80s, Abner Afuang achieved a certain mythical status by going against a corrupt police department a la Serpico. He should not have simply poured water on Hayden’s head; he would’ve done the country a big favor by pouring gasoline and setting fire to the GSIS Building.
The bottom line is that the whole thing was an exercise in poor judgment and a total lack of propriety. In a sense, by rabidly denouncing the video in a privilege speech—Bong Revilla may have inadvertently sparked a bigger bushfire of interest in the videos, with no small help, of course, from a hyperventilating mass media. Our children’s morals and sense of values are in danger? Thanks to Revilla, your 5-year-old daughter now knows the meaning of the words “sex video” and “Ecstasy.” But that’s not before she asks you first over the breakfast table while you read the Inquirer’s front page. She is now aware that Ecstasy makes you do stupid things, like wear a bandanna and perform macho-dancer moves and mess up the lyrics to a Wham! classic.
But still, we can learn several important lessons from this whole sordid imbroglio:
• That one does not need video software to make films. Just a camera and a USB cable.
• That in a public discussion involving the subject of illicit sex, the phrase “hard drive” should be used with prudence. Lots of it. Especially by the perpetrator.
• Between an act of high-profile infidelity and a scandal video, people will forget that you’re a treacherous kabetching.
• That your humiliation simply does not end with the entire archipelago witnessing your coital habits. One day an ex-cop-turned-mayor-turned-tabloid columnist named Abner Afuang (portrated by Philip Salvador in an ’80s biopic) will walk up to your side and douse you with water. Although not quite Cherie Gil. More like those subliminally homoerotic Gatorade commercials. But a skeptical Bong Revilla will think the whole thing is scripted.
• Thirty tablets of Valium might not kill you. Unless you’re bullshitting us.
• That when the whole world seems to conspire against you, only Mother will rush to your rescue. But she will blame Lolit Solis first. And that Mother can be inexplicably creepy on national television.
• That sex video scandals have the power to thankfully eclipse news items like Dona Dionisia Pacquiao’s ballroom-dancing debut.
• If you screw up big time, blame it on drugs. If you can’t blame drugs, blame it on your bad childhood. If you can’t blame your bad childhood, well…there’s always Mom.
Artwork by Warren Espejo.
Labels: politics, rants, scandal, sex, video
10:40 PM |
... And Dance Like Everybody's Watching
Labels: dance, film, music, strange things, video
1:33 AM |
I Know Him So Well, With a Twist
Labels: life, love, music, theater, video
1:29 PM |
Sign Language Has Never Been This Hot
Labels: music, queer, sign language, video, viral
12:03 AM |
Odie and Sayo Make a Cockroach Comedy
Labels: friends, LitCritters, video
12:10 AM |
Palin is Bush -- With Lipstick
Labels: comedians, politics, video
2:49 PM |
Dancing Around the World
The title is not misleading. "Dancing" shows a guy dancing: a big, doughy-looking fellow in shorts and hiking boots performing an arm-swinging, knee-pumping step that could charitably be called goofy. It’s the kind of semi-ironic dance that boys do by themselves at junior high mixers when they’re too embarrassed to partner with actual girls.
The dancer is Matt Harding, the 31-year-old creator of the video, and with some New Agey-sounding music playing in the background, he turns up, grinning and bouncing, in 69 different locations, including India, Kuwait, Bhutan, Tonga, Timbuktu and the Nellis Airspace in Nevada, where he performs the dance in zero gravity.
He started doing it at work, years ago, when he was living in Brisbane, Australia. “I’d dance at lunchtime or during an awkward pause or just to annoy people,” Mr. Harding said. “It was sort of a nervous tic.”
Now he’s on the streets in Mumbai one minute, balanced on the Giant’s Causeway rock formation in Northern Ireland the next, and then he’s in a tulip field in the Netherlands or in front of a geyser in Iceland. Sometimes Mr. Harding dances alone. On a Christmas Island beach he has an audience of crabs, and on Madagascar he performs for lemurs.
But more often — and this accounts for much of the video’s appeal — he’s in the company of others: South African street children in Soweto, bushmen in New Guinea, Bollywood-style dancers in India, some oddly costumed waitresses in Tokyo, crowds of free spirits in Paris, Madrid and rainy Montreal, all copying, or trying to, his flailing chicken-step. Mr. Harding even dances for a lone military policeman (unmoved to join him) in the Korean demilitarized zone.
In many ways “Dancing” is an almost perfect piece of Internet art: it’s short, pleasingly weird and so minimal in its content that it’s open to a multitude of interpretations. It could be a little commercial for one-world feel-goodism. It could be an allegory of American foreign policy: a bumptious foreigner turning up all over the world and answering just to his own inner music. Or it could be about nothing at all — just a guy dancing.
However you interpret it, you can’t watch “Dancing” for very long without feeling a little happier.
8:04 AM |
The So-Called Church of Oprah
Labels: family, friends, issues, rants, religion, video
2:09 PM |
Moon River
Labels: books, celebrity, directors, film, video
10:53 AM |
Some Things
Labels: books, humor, issues, life, media, memories, music, philippine literature, television, video, writers
8:58 PM |
He's Effing Ben Affleck!
Labels: celebrity, queer, television, video
10:26 PM |
Amy Can't Top This and Other Things
Labels: dance, life, love, music, television, video